“Wonderfully jolly!”
said I. “And it must be pleasant even to
think
of it.”
There is another new character in the second part of “We,” who is also a fine picture:—Alister the blue-eyed Scotch lad, with his respect for “book-learning,” and his powers of self-denial and endurance; but Julie certainly had a weakness for the Irish nation, and the tender grace with which she touches Dennis O’Moore and Biddy shines conspicuously throughout the story. In one scene, however, I think she brings up her Scotch hero neck-and-neck, if not ahead, of her favourite Irishman.
This is in Chapter VII., where an entertainment is being held on board ship, and Dennis and Alister are called upon in turn to amuse the company with a song. Dennis gets through his ordeal well; he has a beautiful voice, which makes him independent of the accompaniment of a fiddle (the only musical instrument on board), and Julie describes his simpatico rendering of “Bendemeer’s Stream” from the way in which she loved to hear one of our brothers sing it. He had learned it by ear on board ship from a fellow-passenger, and she was never tired of listening to the melody. When this same brother came to visit her whilst she was ill at Bath, and sang to her as she lay in bed,—“Bendemeer’s Stream” was the one strain she asked for, and the last she heard.
Dennis O’Moore’s performance met with warm applause, and then the boatswain, who had a grudge against Alister, because the Scotch Captain treated his countryman with leniency, taunted the shy and taciturn lad to “contribute to the general entertainment.”
I was very sorry for
Alister, and so was Dennis, I was sure, for he
did his best to encourage
him.
“Sing ‘GOD Save the Queen,’ and I’ll keep well after ye with the fiddle,” he suggested. But Alister shook his head. “I know one or two Scotch tunes,” Dennis added, and he began to sketch out an air or two with his fingers on the strings.
Presently Alister stopped him. “Yon’s the Land o’ the Leal?”