Shortly before the Ewings started from Fredericton they went into the barracks, whence a battalion of some regiment had departed two days before, and there discovered a large black retriever who had been left behind.  It is needless to say that this deserted gentleman entirely overcame their feelings; he was at once adopted, named “Trouve,” and brought home to England, where he spent a very happy life, chiefly in the South Camp, Aldershot, his one danger there being that he was such a favourite with the soldiers, they over-fed him terribly.  Never did a more benevolent disposition exist, his broad forehead and kind eyes, set widely apart, did not belie him; there was a strong strain of Newfoundland in his breed, and a strong likeness to a bear in the way his feathered paws half crossed over each other in walking.  Trouve appears as “Nox” in “Benjy,” and there is a glimpse of him in “The Sweep,” who ended his days as a “soldier’s dog” in “The Story of a Short Life.”  Trouve did, in reality, end his days at Ecclesfield, where he is buried near “Rough,” the broken-haired bull-terrier, who is the real hero in “Benjy,” Amongst the various animal friends whom Julie had either of her own, or belonging to others, none was lovelier than the golden-haired collie “Rufus,” who was at once the delight and distraction of the last year of her life at Taunton, by the tricks he taught himself of very gently extracting the pins from her hair, and letting it down at inconvenient moments; and of extracting, with equal gentleness from the earth, the labels that she had put to the various treasured flowers in her “Little Garden,” and then tossing them in mid-air on the grass-plot.

A very amusing domestic story, called “The Snap Dragons,” came out in the Christmas number of the Monthly Packet for 1870.

“Timothy’s Shoes” appeared in AUNT JUDY’S volume for 1871.  This was another story of the same type as “Amelia,” and it was also illustrated by Mr. Cruikshank.  I think the Marsh Julie had in her mind’s eye, with a “long and steep bank,” is one near the canal at Aldershot, where she herself used to enjoy hunting for kingcups, bog-asphodel, sundew, and the like.  The tale is a charming combination of humour and pathos, and the last clause, where “the shoes go home,” is enough to bring tears to the eyes of every one who loves the patter of childish feet.

The most important work that she did this year (1871) was “A Flat-Iron for a Farthing,” which ran as a serial through the volume of Aunt Judy’s Magazine.  It was very beautifully illustrated by Helen Paterson (now Mrs. Allingham), and the design where the “little ladies,” in big beaver bonnets, are seated at a shop-counter buying flat-irons, was afterwards reproduced in water-colours by Mrs. Allingham, and exhibited at the Royal Society of Painters in Water-Colours (1875), where it attracted Mr. Ruskin’s attention.[18] Eventually, a fine steel engraving was done from it by Mr. Stodart.[19] It is interesting to know that the girl friend who sat as a model for “Polly” to Mrs. Allingham is now herself a well-known artist, whose pictures are hung in the Royal Academy.