an apothecary in Crutched Friars about the year 1735, performed well on the violin, was very intimate with Handel and other Masters.”  This copy, which possibly belonged to Sherard, contains also the following, written apparently by the person into whose hands the book passed:—­“Wm. Salter, surgeon and apothecary, Whitechapel High Street.”  The various sonatas, too, are marked in pencil—­some as good; others, very good.  The date, 1789, is also given—­the year, probably, in which the volumes became the property of W. Salter.

[109] These sonatas were afterwards published at Amsterdam as Corelli’s, being marked as his Opera Settima.  On the title-page was written “Si crede che Siano State Composte di Arcangelo Corelli avanti le sue altre Opere.”

[110] See chapter on Haydn.

[111] She was surely the daughter of Francois Hippolite Barthelemon (son of a Frenchman and of an Irish lady), who was on intimate terms with Haydn, to whom the sonata above mentioned is dedicated.

[112] Samuel Wesley (1766-1837), nephew of the Rev. John Wesley, was a gifted musician, and is specially remembered for his enthusiastic admiration of John Sebastian Bach.  The letters which he wrote to Benjamin Jacob on the subject of his favourite author were published by his daughter in 1875.  He also, in conjunction with C.F.  Horn, published an edition of Bach’s “Wohltemperirtes Clavier.”

[113] He is described on the title-page as “formerly Composer to several Cathedral Churches in France.”  Buee’s name is neither in Fetis nor the Pougin Supplement.