[Sidenote: The Bow]
Such men, proud of their right to justice and an equal law, called by attendance in the county court to a share in the judicial, the financial, and the political life of the realm, were of a temper to make soldiers of a different sort from the wretched serfs who followed the feudal lords of the Continent; and they were equipped with a weapon which as they wielded it was enough of itself to make a revolution in the art of war. The bow, identified as it became with English warfare, was the weapon not of Englishmen but of their Norman conquerors. It was the Norman arrow-flight that decided the day of Senlac. But in the organization of the national army it had been assigned as the weapon of the poorer freeholders who were liable to serve at the king’s summons; and we see how closely it had become associated with them in the picture of Chaucer’s yeoman. “In his hand he bore a mighty bow.” Its might lay not only in the range of the heavy war-shaft, a range we are told of four hundred yards, but in its force. The English archer, taught from very childhood “how to draw, how to lay his body to the bow,” his skill quickened by incessant practice and constant rivalry with his fellows, raised the bow into a terrible engine of war. Thrown out along the front in a loose order that alone showed their vigour and self-dependence, the bowmen faced and riddled the splendid line of knighthood as it charged upon them. The galled horses “reeled right rudely.” Their riders found even the steel of Milan a poor defence against the grey-goose shaft. Gradually the bow dictated the very tactics of an English battle. If the mass of cavalry still plunged forward, the screen