that she might suggest some explanation of what had happened to his brother, and sister, and himself.  Or, failing to do this, she might accidentally reveal some event in her own experience which, acting as a hint to a competent dramatist, might prove to be the making of a play.  The prosperity of his theatre was his one serious object in life.  ‘I may be on the trace of another “Corsican Brothers,"’ he thought.  ’A new piece of that sort would be ten thousand pounds in my pocket, at least.’

With these motives (worthy of the single-hearted devotion to dramatic business which made Francis a successful manager) he related, without further hesitation, what his own experience had been, and what the experience of his relatives had been, in the haunted hotel.  He even described the outbreak of superstitious terror which had escaped Mrs. Norbury’s ignorant maid.  ‘Sad stuff, if you look at it reasonably,’ he remarked.  ’But there is something dramatic in the notion of the ghostly influence making itself felt by the relations in succession, as they one after another enter the fatal room—­until the one chosen relative comes who will see the Unearthly Creature, and know the terrible truth.  Material for a play, Countess—­first-rate material for a play!’

There he paused.  She neither moved nor spoke.  He stooped and looked closer at her.

What impression had he produced?  It was an impression which his utmost ingenuity had failed to anticipate.  She stood by his side—­ just as she had stood before Agnes when her question about Ferrari was plainly answered at last—­like a woman turned to stone.  Her eyes were vacant and rigid; all the life in her face had faded out of it.  Francis took her by the hand.  Her hand was as cold as the pavement that they were standing on.  He asked her if she was ill.

Not a muscle in her moved.  He might as well have spoken to the dead.

‘Surely,’ he said, ’you are not foolish enough to take what I have been telling you seriously?’

Her lips moved slowly.  As it seemed, she was making an effort to speak to him.

‘Louder,’ he said.  ‘I can’t hear you.’

She struggled to recover possession of herself.  A faint light began to soften the dull cold stare of her eyes.  In a moment more she spoke so that he could hear her.

‘I never thought of the other world,’ she murmured, in low dull tones, like a woman talking in her sleep.

Her mind had gone back to the day of her last memorable interview with Agnes; she was slowly recalling the confession that had escaped her, the warning words which she had spoken at that past time.  Necessarily incapable of understanding this, Francis looked at her in perplexity.  She went on in the same dull vacant tone, steadily following out her own train of thought, with her heedless eyes on his face, and her wandering mind far away from him.

’I said some trifling event would bring us together the next time.  I was wrong.  No trifling event will bring us together.  I said I might be the person who told her what had become of Ferrari, if she forced me to it.  Shall I feel some other influence than hers?  Will he force me to it?  When she sees him, shall I see him too?’