state after return, 143-5, 421;
  in grave-yard, 145-6, 153, 158, 421-2;
  in catastrophe, 102, 146-8, 151, 420-1;
  and Ophelia, 103, 112, 119, 145-6, 152-9, 402, 420-1;
  letter to Ophelia, 150, 403;
  trick of repetition, 148-9;
  word-play and humour, 149-52, 411;
  aesthetic feeling, 133, 415;
  and Iago, 208, 217, 222, 226;
  other references, 9, 14, 20, 22, 28, 316, 353, Notes A to H.

Hanmer, 91.

Hazlitt, 209, 223, 228, 231, 243, 248.

Hecate, 342, Note Z.

Hegel, 16, 348.

2 Henry VI., 492.

3 Henry VI., 222, 418, 490, 492.

Henry VIII., 80, 472, 479.

Heredity, 30, 266, 303.

Hero, tragic, 7;
  of ‘high degree,’ 9-11;
  contributes to catastrophe, 12;
  nature of, 19-23, 37;
  error of, 21, 34;
  unlucky, 28;
  place of, in construction, 53-55;
  absence of, from stage, 57;
  in earlier and later plays, 81-2, 176;
  in King Lear, 280;
  feeling at death of, 147-8, 174, 198, 324.

Heywood, 140, 419.

Historical tragedies, 3, 53, 71.

Homer, 348.

Horatio, 99, 112, 310, Notes A, B, C.

Humour, constructional use of, 61;
  Hamlet’s, 149-52;
  in Othello, 177;
  in Macbeth, 395.

Hunter, J., 199, 338.

Iachimo, 21, 210.

Iago, and evil, 207, 232-3;
  false views of, 208-11, 223-7;
  danger of accepting his own evidence, 211-2, 222-5;
  how he appeared to others, 213-5;
    and to Emilia, 215-6, 439-40;
  inferences hence, 217-8;
  further analysis, 218-22;
  source of his action, 222-31;
  his tragedy, 218, 222, 232;
  not merely evil, 233-5;
  nor of supreme intellect, 236;
  cause of failure, 236-7;
  and Edmund, 245, 300-1, 464;
  and Hamlet, 208, 217, 222, 226;
  other references, 21, 28, 32, 192, 193, 196, 364, Notes L, M, P, Q.

Improbability, not always a defect, 69;
  in King Lear, 249, 256-7.

Inconsistencies, 73;
  real or supposed, in Hamlet, 408;
  in Othello, Note I;
  in King Lear, 256, Note T;
  in Macbeth, Notes CC, EE.

Ingram, Prof., 478.

Insanity in tragedy, 13;
  Ophelia’s, 164-5, 399;
  Lear’s, 288-90.

Intrigue in tragedy, 12, 67, 179.

Irony, 182, 338.

Isabella, 316, 317, 321.

Jameson, Mrs., 165, 204, 379.

Jealousy in Othello, 178, 194, Note L.

Job, 11.

Johnson, 31, 91, 294, 298, 304, 377, 420.

Jonson, 69, 282, 389.

Juliet, 7, 204, 210.

Julius Caesar, 3, 7, 9, 33, 34, 479;
  conflict, 17-8;
  exposition, 43-5;
  crisis, 52;
  dragging, 57;
  counter-stroke, 58;
  quarrel-scene, 60-1;
  battle-scenes, 62;
  and Hamlet, 80-2;
  style, 85-6.