Antonio, 110, 404.
Antony and Cleopatra, 3, 7, 45, 80;
conflict, 17-8;
crisis, 53, 55, 66;
humour in catastrophe, 62, 395-6;
battle-scenes, 62-3;
extended catastrophe, 64;
faulty construction, 71, 260;
passion in, 82;
evil in, 83-4;
versification, 87, Note BB.
Antony, 22, 29, 63, 83-4.
Arden of Feversham, 9.
Ariel, 264.
Aristotle, 16, 22.
Art, Shakespeare’s, conscious, 68-9;
defects in, 71-78.
Arthur, 294.
As You Like It, 71, 267, 390.
Atmosphere in tragedy, 333.
Banquo, 343, 379-86.
Barbara, the maid, 175.
Battle-scene, 62, 451, 469;
in King Lear, 255, Note X.
Beast and man, in King Lear, 266-8;
in Timon, 453.
Bernhardt, Mme., 379.
Biblical ideas, in King Lear, 328.
Bombast, 73, 75-6, 389, Note F.
Brandes, G., 379, 393.
Brutus, 7, 14, 22, 27, 32, 81-2, 101, 364.
Caliban, 264.
Cassio, 211-3, 238-9, 433-4.
Catastrophe, humour before, 61-2;
battle-scenes in, 62;
false hope before, 63;
extended, 62;
in Antony and Coriolanus,
83-4.
See Hamlet, etc.
Character, and plot, 12;
is destiny, 13;
tragic, 19-23.
Chaucer, 8, 346.
Children, in the plays, 293-5.
Cleopatra, 7, 20, 84, 178, 208.
Coleridge, 104-5, 107, 109, 127, 165, 200, 201, 209,
223, 226, 228, 249,
343, 353, 362, 389, 391, 392, 397, 412,
413.
Comedy, 15, 41.
Conflict, tragic, 16-9;
originates in evil, 34;
oscillating movement in, 50;
crisis in, 51-5;
descending movement of, 55-62.
Conscience. See Hamlet.
Cordelia, 29, 32, 203-6, 250, 290, 314, 315-26, Note W.
Coriolanus, 3, 9, 43, 394-5;
crisis, 53;
hero off stage, 57;
counter-stroke, 58;
humour, 61;
passion, 82;
catastrophe, 83-4;
versification, Note BB.
Coriolanus, 20, 29, 83-4, 196.
Cornwall, 298-9.
Crisis. See Conflict.
Curtain, no front, in Shakespeare’s theatre, 185, 458.
Cymbeline, 7, 21, 72, 80, Note BB;
Queen in, 300.
Desdemona, 32, 165, 179, 193, 197, 201-6, 323, 433, 437-9.
Disillusionment, in tragedies, 175.
Dog, the, Shakespeare and, 268.
Don John, 110, 210.
Double action in King Lear, 255-6, 262.
Dowden, E., 82, 105, 330, 408.
Dragging, 57-8, 64.
Drunkenness, invective against, 238.
Edgar, 305-7, 453, 465.
Edmund, 210, 245, 253, 300-3, Notes P, Q.
See Iago.