Next morning, at eight o’clock, by which time we had breakfasted, a gondola with two rowers waited for us at the porch of the hotel, along with a clever, well-informed youth named Alessandro, who had undertaken to be our cicerone. The charges for both gondolas and guides had, we found, been raised since the late troubles, in common with everything else in Venice, liberty being always somehow a provocative to taxation, whether temporarily or permanently enjoyed. What in 1843 would have cost six English shillings, now stood us eight or nine. The gondola, as is well known, is a long boat, pointed at both ends, and painted black—furnished in the centre with cushioned seats, all black, over which is erected a kind of cot, with windows, to screen the passengers. One man stands in the fore, another in the back part, rowing with their faces forward, the oar working in a twisting manner on the top of a piece of wood curiously grooved for the purpose. I cannot say that I saw anything very peculiar in the dress of the gondoliers, or indeed in the appearance of any of the people of Venice, excepting the female water-carriers. With that exception, the people are dressed in much the same manner as is customary over Europe generally. So far as I recollect, not a single veiled or half-veiled lady, sailing in her own gondola, met our eyes while we were in Venice. We have to revert for all such things to Goldoni’s plays and the pages of our own Byron.