The ship scraped against the pier while Sedgwick was talking, and the travelers hurried on their way. At Paris they were detained several hours, and Jordan hiring a carriage, they took in as much of the beautiful city as possible.
Jordan all the time exerted himself to talk, and by asking questions to compel Sedgwick to think of something besides the sad-browed bride whom he had left in London.
“What war the special charm ’bout Paris, Jim? I feel it, but blamed ef I can splain it even ter myself,” said he.
“I do not know,” replied his friend, “but I suspect, Tom, it is the culmination of something which has for a thousand years been maturing. Long ago, a full thousand years, there was an Emperor here who was in advance of his generation. He believed that a perfect education meant the full enlightenment of the mortal, that his hands and eyes as well as his mind must be disciplined, that every useful attribute must be trained. So he built cathedrals to improve the taste of the people, established free drawing schools, had the people taught the secret of fusing worthless material with acute brains and making something valuable—something which the rich are glad to give their gold in exchange for. That emperor died, but his work continued to live and increase until France became a nation of artisans and artists, and that art has now become second nature, and therein lies the charm. See how yonder lady picks up her drapery to cross the street; not ten women in England could do that little thing as she does. Do you know the reason why? She caught the art originally from old Charlemagne. That is, thirty generations ago, the old Emperor established the schools which made possible the perfection of the present, and the graceful art of that lady is in truth a graceful compliment to the old soldier-Emperor who more than a thousand years ago fell back to dust.”