He was succeeded by his son Chulalongkorn[212] (1868-1911), a liberal and enlightened ruler, who had the misfortune to lose much territory to the French on one side and the English on the other. For religion, his chief interest is that he published an edition of the Tipitaka. The volumes are of European style and printed in Siamese type, whereas Cambojan characters were previously employed for religious works.
2
As I have already observed, there is not much difference between Buddhism in Burma and Siam. In mediaeval times a mixed form of religion prevailed in both countries and Siam was influenced by the Brahmanism and Mahayanism of Camboja. Both seem to have derived a purer form of the faith from Pegu, which was conquered by Anawrata in the eleventh century and was the neighbour of Sukhothai so long as that kingdom lasted. Both had relations with Ceylon and while venerating her as the metropolis of the faith also sent monks to her in the days of her spiritual decadence. But even in externals some differences are visible. The gold and vermilion of Burma are replaced in Siam by more sober but artistic tints—olive, dull purple and dark orange—and the change in the colour scheme is accompanied by other changes in the buildings.
A religious establishment in Siam consists of several edifices and is generally known as Wat,[213] followed by some special designation such as Wat Chang. Bangkok is full of such establishments mostly constructed on the banks of the river or canals. The entrance is usually guarded by gigantic and grotesque figures which are often lions, but at the Wat Pho in Bangkok the tutelary demons are represented by curious caricatures of Europeans wearing tall hats. The gate leads into several courts opening out of one another and not arranged on any fixed plan. The first is sometimes surrounded by a colonnade in which are set a long line of the Buddha’s eighty disciples.