It must have been long past midnight when she awoke again with a sudden feeling of fright and strangeness, for which she could not account, but which made her spring off the bed and listen if she could hear any one moving. All was very still; not a sound came from the adjoining apartment; her own room was quite dark, for the windows and outside shutters were closed. Madelon felt scared, lonely, desolate, without knowing why; and then, all at once, she remembered the reason. All that the Sister had said came back with fresh meaning and distinctness to her senses restored by sleep; and, sitting down on the floor just where she was, she began to cry with a low moaning, sobbing sound, as a child cries when it is sorry and not naughty.
No one heard her, no one came near her; she was all alone, and in a few minutes she stopped crying, half frightened at her own voice in the silence and darkness. And then she began to wonder if her father were still in the next room, or whether they had taken him away anywhere; if not, he was all alone in there, as she was in here. It would be some comfort to be with him, she thought. Madelon knew that he was dead, but death was an unfamiliar experience with her; and she could not perhaps clearly separate this hour from all other hours when she had been hurt, or sorrowful, or frightened, and had run to her father to be comforted.
She got up, and, opening the door, stole softly into the other room. It was not quite so dark in there: the windows and Venetian shutters were wide open, and a lamp in the street below gave an uncertain light, by which she could just distinguish the gleam of the mirror, the table in the centre of the room, and the bed, where the outline of a silent form was vaguely defined under the white covering sheet. Madelon had had some half-formed idea of getting on to the