“It’s not as bad as it looks!” said Mrs. Carteret, plunging in her hands and heroically smearing her face with a mass of black oozy matter believed to be a sponge.  “It’s quite becoming if you do it thoroughly.  Mind, all of you, get it well into your ears and the roots of your hair!”

The Hamiltons, giggling wildly, submitted themselves to the ministrations of Freddy Alexander, and Mrs. Carteret, appallingly transformed into a little West Indian coolie woman, applied the sponge to the shrinking Fanny Fitz.

“Will you do Mr. Gunning, Fanny?” she whispered into one of the ears that she had conscientiously blackened.  “I think he’d bear it better from you!”

“I shall do nothing of the kind!” replied Fanny, with a dignity somewhat impaired by her ebon countenance and monstrous green turban.

“Why not?”

Mrs. Carteret’s small neat features seemed unnaturally sharpened, and her eyes and teeth glittered in her excitement.

“For goodness’ sake, take your awful little black face away, Mabel!” exclaimed Fanny hysterically.  “It quite frightens me!  I’m very angry with Mr. Gunning!  I’ll tell you why some other time.”

“Well, don’t forget you’ve got to say ‘Buck up, Sambo!’ to him after he’s sung his song, and you may fight with him as much as you like afterwards,” said Mrs. Carteret, hurrying off to paint glaring vermilion mouths upon the loudly protesting Hamiltons.

During these vicissitudes, Rupert Gunning, arrayed in a green swallow-tailed calico coat, short white cotton trousers, and a skimpy nigger wig, presented a pitiful example of the humiliations which the allied forces of love and jealousy can bring upon the just.  Fanny Fitz has since admitted that, in spite of the wrath that burned within her, the sight of Mr. Gunning morosely dabbing his long nose with the repulsive sponge that was shared by the troupe, almost moved her to compassion.

A pleasing impatience was already betraying itself in cat-calls and stampings from the sixpenny places, and Mrs. Carteret, flitting like a sheep dog round her flock, arranged them in couples and drove them before her on to the stage, singing in chorus, with a fair assumption of hilarity, “As we go marching through Georgia”.

For Fanny Fitz the subsequent proceedings became merged in a nightmare of blinding heat and glare, made actual only by poignant anxiety as to the length of her green skirt.  The hope that she might be unrecognisable was shattered by the yell of “More power, Miss Fanny!” that crested the thunderous encore evoked by her hornpipe with Captain Carteret, and the question of the skirt was decided by the fact that her aunts, in the front row, firmly perused their programmes from the beginning of her dance to its conclusion.