They seared and scathed a literary dictator whom jealous
enemies had long sighed to behold insulted and humiliated,
while surprise equalled delight at seeing the blow
dealt from a quarter so utterly unexpected. There
is no comparison between the invective of Milton and
of Salmasius; not so much from Milton’s superiority
as a controversialist, though this is very evident,
as because he writes under the inspiration of a true
passion. His scorn of the presumptuous intermeddler
who has dared to libel the people of England is ten
thousand times more real than Salmasius’s official
indignation at the execution of Charles. His
contempt for Salmasius’s pedantry is quite genuine;
and he revels in ecstasies of savage glee when taunting
the apologist of tyranny with his own notorious subjection
to a tyrannical wife. But the reviler in Milton
is too far ahead of the reasoner. He seems to
set more store by his personalities than by his principles.
On the question of the legality of Charles’s
execution he has indeed little argument to offer;
and his views on the wider question of the general
responsibility of kings, sound and noble in themselves,
suffer from the mass of irrelevant quotation with
which it was in that age necessary to prop them up.
The great success of his reply ("Pro Populo Anglicano
Defensio”) arose mainly from the general satisfaction
that Salmasius should at length have met with his
match. The book, published in or about March,
1651, instantly won over European public opinion, so
far as the question was a literary one. Every
distinguished foreigner then resident in London, Milton
says, either called upon him to congratulate him,
or took the opportunity of a casual meeting. By
May, says Heinsius, five editions were printed or
printing in Holland, and two translations. “I
had expected nothing of such quality from the Englishman,”
writes Vossius. The Diet of Ratisbon ordered
“that all the books of Miltonius should be searched
for and confiscated.” Parisian magistrates
burned it on their own responsibility. Salmasius
himself was then at Stockholm, where Queen Christina,
who did not, like Catherine II., recognize the necessity
of “standing by her order,” could not help
letting him see that she regarded Milton as the victor.
Vexation, some thought, contributed as much as climate
to determine his return to Holland. He died in
September, 1653, at Spa, as, remote from books, but
making his memory his library, he was penning his
answer. This unfinished production, edited by
his son, appeared after the Restoration, when the
very embers of the controversy had grown cold, and
the palm of literary victory had been irrevocably
adjudged to Milton.