It is possible to spend years of study on what may be called the externals of the “Divine Comedy,” and remain unaffected in nature by this contact with one of the masterpieces of the spirit of man as well as of the art of literature.  It is also possible to so absorb Dante’s thought and so saturate one’s self with the life of the poem as to add to one’s individual capital of thought and experience all that the poet discerned in that deep heart of his and wrought out of that intense and tragic experience.  But this permanent and personal possession can be acquired by those alone who brood over the poem and recreate it within themselves by the play of the imagination upon it.  A visitor was shown into Mr. Lowell’s room one evening not many years ago, and found him barricaded behind rows of open books; they covered the table and were spread out on the floor in an irregular but magic circle.  “Still studying Dante?” said the intruder into the workshop of as true a man of culture as we have known on this continent.  “Yes,” was the prompt reply; “always studying Dante.”

A man’s intellectual character is determined by what he habitually thinks about.  The mind cannot always be consciously directed to definite ends; it has hours of relaxation.  There are many hours in the life of the most strenuous and arduous man when the mind goes its own way and thinks its own thoughts.  These times of relaxation, when the mind follows its own bent, are perhaps the most fruitful and significant periods in a rich and noble intellectual life.  The real nature, the deeper instincts of the man, come out in these moments, as essential refinement and genuine breeding are revealed when the man is off guard and acts and speaks instinctively.  It is possible to be mentally active and intellectually poor and sterile; to drive the mind along certain courses of work, but to have no deep life of thought behind these calculated activities.  The life of the mind is rich and fruitful only when thought, released from specific tasks, flies at once to great themes as its natural objects of interest and love, its natural sources of refreshment and strength.  Under all our definite activities there runs a stream of meditation; and the character of that meditation determines our wealth or our poverty, our productiveness or our sterility.

This instinctive action of the mind, although largely unconscious, is by no means irresponsible; it may be directed and controlled; it may be turned, by such control, into a Pactolian stream, enriching us while we rest and ennobling us while we play.  For the mind may be trained to meditate on great themes instead of giving itself up to idle reverie; when it is released from work it may concern itself with the highest things as readily as with those which are insignificant and paltry.  Whoever can command his meditations in the streets, along the country roads, on the train, in the hours of relaxation, can enrich himself for all time without effort or fatigue; for it is as easy