Exaggeration of phrase, as well as the studied understatement which is an even more effective form of ridicule, seem natural products of American humour. They sound, wherever we hear them, familiar to our ears. It is hard to believe that an English barrister, and not a Texas ranch-man, described Boston as a town where respectability stalked unchecked. Mazarin’s plaintive reflection, “Nothing is so disagreeable as to be obscurely hanged,” carries with it an echo of Wyoming or Arizona. Mr. Gilbert’s analysis of Hamlet’s mental disorder,—
“Hamlet is idiotically sane,
With lucid intervals of lunacy,”—
has the pure flavour of American wit,—a wit which finds its most audacious expression in burlesquing bitter things, and which misfits its words with diabolic ingenuity. To match these alien jests, which sound so like our own, we have the whispered warning of an American usher (also quoted by Sir John Robinson) who opened the door to a late comer at one of Mr. Matthew Arnold’s lectures: “Will you please make as little noise as you can, sir. The audience is asleep”; and the comprehensive remark of a New England scholar and wit that he never wanted to do anything in his life, that he did not find it was expensive, unwholesome, or immoral. This last observation embraces the wisdom of the centuries. Solomon would have endorsed it, and it is supremely quotable as expressing a common experience with very uncommon felicity.
When we leave the open field of exaggeration, that broad area which is our chosen territory, and seek for subtler qualities in American humour, we find here and there a witticism which, while admittedly our own, has in it an Old-World quality. The epigrammatic remark of a Boston woman that men get and forget, and women give and forgive, shows the fine, sharp finish of Sydney Smith or Sheridan. A Philadelphia