Marzio's Crucifix and Zoroaster eBook

This eBook from the Gutenberg Project consists of approximately 492 pages of information about Marzio's Crucifix and Zoroaster.

Marzio's Crucifix and Zoroaster eBook

This eBook from the Gutenberg Project consists of approximately 492 pages of information about Marzio's Crucifix and Zoroaster.

It was already dark when the king entered the temple, dressed in his robes of state, with his sword by his side, his long sceptre tipped with the royal sphere in his right hand, and the many-pointed crown upon his head.  His heavy black beard had grown longer in the three years that had passed, and flowed down over his vest of purple and white half-way to his belt.  His face was stern, and the deep lines of his strong features had grown more massive in outline.  With the pride of every successive triumph had come also something more of repose and conscious power.  His step was slower, and his broad brown hand grasped the golden sceptre with less of nervous energy and more unrelenting force.  But his brows were bent, and his expression, as he took his seat before the screen, over against the altar of the fire, was that of a man who was prepared to be discontented and cared little to conceal what he felt.

After him came the chief priest, completely robed in white, with a thick, white linen sash rolled for a girdle about his waist, the fringed ends hanging stiffly down upon one side.  Upon his head he wore a great mitre, also of white linen, and a broad fringed stole of the same material fell in two wide bands from each side of his neck to his feet.  His beard was black and glossy, fine as silk, and reached almost to his waist.  He came and stood with his back to the king and his face to the altar, ten paces from the second fire.

Then, from behind the screen and from each side of it, the other priests filed out, two and two, all clad in white like the chief priest, save that their mitres were smaller and they wore no stole.  They came out and ranged themselves around the walls of the temple, threescore and nine men, of holy order, trained in the ancient chanting of the Mazdayashnian hymns; men in the prime and strength of life, black-bearded and broad-shouldered, whose massive brows and straight features indicated noble powers of mind and body.

The two who stood nearest to the chief priest came forward, and taking from his hands a square linen cloth he bore, bound it across his mouth and tied it behind his neck in a firm knot by means of strings.  Then, one of them put into his left hand a fan of eagles’ feathers, and the other gave him a pair of wrought-iron pincers.  Then they left him to advance alone to the altar.

He went forward till he was close to the bronze brazier, and stooping down, he took from the heap of fuel a clean white stick, with the pincers, which he carefully laid upon the fire.  Then with his left hand he gently fanned the flames, and his mouth being protected by the linen cloth in such a manner that his breath could not defile the sacred fire, he began slowly and in a voice muffled by the bandage he wore, to recite the beginning of the sacrificial hymn: 

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Marzio's Crucifix and Zoroaster from Project Gutenberg. Public domain.