Marzio's Crucifix and Zoroaster eBook

This eBook from the Gutenberg Project consists of approximately 492 pages of information about Marzio's Crucifix and Zoroaster.

Marzio's Crucifix and Zoroaster eBook

This eBook from the Gutenberg Project consists of approximately 492 pages of information about Marzio's Crucifix and Zoroaster.

“Are you glad, my beloved?” asked Zoroaster.  He stood with his back to the balustrade, leaning on one elbow, and his right hand played carelessly with the heavy gold tassels of his cloak.  He had come up from the fortress in his armour, as he was, to bring the news to Nehushta and to Daniel; his gilded harness was on his back, half-hidden by the ample purple cloak, his sword was by his side, and on his head he wore the pointed helmet, richly inlaid with gold, bearing in front the winged wheel which the sovereigns of the Persian empire had assumed after the conquest of Assyria.  His very tall and graceful body seemed planned to combine the greatest possible strength with the most surpassing activity, and in his whole presence there breathed the consciousness of ready and elastic power, the graceful elasticity of a steel bow always bent, the inexpressible ease of motion and the matchless swiftness that men had when the world was young—­that wholeness of harmonious proportion which alone makes rest graceful, and the inactivity of idleness itself like a mode of perfect motion.  As they stood there together, the princess of Judah and the noble Persian, they were wholly beautiful and yet wholly contrasted—­the Semite and the Aryan, the dark race of the south, on which the hot air of the desert had breathed for generations in the bondage of Egypt, and left its warm sign-manual of southern sunshine,—­and the fair man of the people whose faces were already set northwards, on whom the north breathed already its icy fairness, and magnificent coldness of steely strength.

“Are you glad, my beloved?” asked Zoroaster again, looking up and laying his right hand on the princess’s arm.  She had given no answer to his question, but only gazed dreamily out over the river.

She seemed about to speak, then paused again, then hesitated and answered his question by another.

“Zoroaster—­you love me,” again she paused, and, as he passionately seized her hands and pressed his lips to them, she said softly, turning her head away, “What is love?”

He, too, waited one moment before he answered, and, standing to his lordly height, took her head between his hands and pressed it to his breast; then, with one arm around her, he stood looking eastward and spoke: 

“Listen, my beloved, and I, who love you, will tell you what love is.  In the far-off dawn of the soul-life, in the ethereal distance of the outer firmament, in the mist of the star-dust, our spirits were quickened with the spirit of God, and found one another, and met.  Before earth was for us, we were one; before time was for us, we were one—­even as we shall be one when there is no time for us any more.  Then Ahura Mazda, the all-wise God, took our two souls from among the stars, and set them in the earth, clothed for a time with mortal bodies.  But we know each other, that we were together from the first, although these earthly things obscure our immortal vision, and we see each other less clearly. 

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Marzio's Crucifix and Zoroaster from Project Gutenberg. Public domain.