When Rainham pushed back the door of the dim little restaurant in Turk Street, Soho, he stood a moment, blinking his eyes a little in the sudden change from the bright summer sunshine, before he assured himself that his friend had not yet arrived. Half a dozen men were sitting about smoking or discussing various drinks. The faces of several were familiar to him, but there were none of them whom he knew; so he took his seat at a table near the door and ordered a vermouth to occupy him until Lightmark, whose unpunctuality was notorious, should put in an appearance. In the interim his eyes strayed round the establishment, taking stock of the walls with their rough decorations, and the clientele, and noting, not without a certain pleasure, that during the six months in which he had been absent neither had suffered much alteration.
Indeed, to Philip Rainham, who had doubtless in his blood the taint of Bohemia, Brodonowski’s and the enthusiasm of its guests had a very definite charm. They were almost all of them artists; they were all of them young and ardent; and they had a habit of propounding their views, which were always of the most advanced nature, with a vehemence which to Rainham represented all the disinterestedness of youth. Very often they were exceedingly well worth knowing, though in the majority of cases the world had not found it out. He knew very few of them personally; he had been taken there first by Lightmark, when the latter was fresh from Paris, and had been himself more in touch with them. But he had often sat smoking silently a little outside the main group, listening, with a deferential air that sat upon his age somewhat oddly, to their audacious propaganda.
In his mind he would sometimes contrast the coterie with certain artistic houses, more socially important, which he had from time to time frequented: where earnest-eyed women in graceful garments—which certainly afforded a rest to the eye—dispensed tea from a samovar, and discoursed discreetly of the current Academy and the most recent symptomatic novel.
The delight of a visible, orderly culture permeating their manners and their conversation was a real one, and yet, Rainham reflected, it left one at the last a trifle weary, a little cold. It seemed to him that this restaurant, with its perennial smell of garlic, its discoloured knife-handles, its frequentation of picturesque poverty, possessed actually an horizon that was somewhat less limited.
Indeed, the dingy room, its assemblage apart, had many traces of an artistic patronage. The rough walls were adorned, in imitation of the familiar Roman haunt, of which this was, so to speak, a colony, with a host of fantastic sketches: rapid silhouettes in charcoal, drawn for illustration or refutation in the heat of some strenuous argument; caricatures in the same medium, some of them trenchantly like, of the customers as well as of certain artistic celebrities, whose laurels Brodonowski’s had not approved, varied here and there by an epigram or a doggerel couplet, damning the Philistine.