FITZSIMMONS. I’m glad to hear that, Harry. You were tearing off a pretty fast pace in those days. [Pause, in which MAUD nods.] Still punch the bag?
MAUD. [In quick alarm, glancing at punching bag.] No, I’ve got out of the hang of it.
FITZSIMMONS. [Reproachfully.] You haven’t forgotten that right-and-left, arm, elbow and shoulder movement I taught you?
MAUD. [With hesitation.] N-o-o.
FITZSIMMONS. [Moving toward bag to left.] Then, come on.
MAUD. [Rising reluctantly and following.] I’d rather see you punch the bag. I’d just love to.
FITZSIMMONS. I will, afterward. You go to it first.
MAUD. [Eyeing the bag in alarm.] No; you. I’m out of practice.
FITZSIMMONS. [Looking at her sharply.] How many drinks have you had to-night?
MAUD. Not a one. I don’t drink—that is—er—only occasionally.
FITZSIMMONS. [Indicating bag.] Then go to it.
MAUD. No; I tell you I am out of practice. I’ve forgotten it all. You see, I made a discovery.
[Pauses.]
FITZSIMMONS. Yes?
MAUD. I—I—you remember what a light voice I always had—almost soprano?
[FITZSIMMONS nods.]
MAUD. Well, I discovered it was a perfect falsetto.
[FITZSIMMONS nods.]
MAUD. I’ve been practising it ever since. Experts, in another room, would swear it was a woman’s voice. So would you, if you turned your back and I sang.
FITZSIMMONS. [Who has been laughing incredulously, now becomes suspicious.] Look here, kid, I think you are an impostor. You are not Harry Jones at all.
MAUD. I am, too.
FITZSIMMONS. I don’t believe it. He was heavier than you.
MAUD. I had the fever last summer and lost a lot of weight.
FITZSIMMONS. You are the Harry Jones that got sousesd and had to be put to bed?
MAUD. Y-e-s.
FITZSIMMONS. There is one thing I remember very distinctly. Harry Jones had a birth mark on his knee. [He looks at her legs searchingly.]
MAUD. [Embarrassed, then resolving to carry it out.] Yes, right here. [She advances right leg and touches it.]
FITZSIMMONS. [Triumphantly.] Wrong. It was the other knee.
MAUD. I ought to know.
FITZSIMMONS. You haven’t any birth mark at all.
MAUD. I have, too.
FITZSIMMONS. [Suddenly springing to her and attempting to seize her leg.] Then we’ll prove it. Let me see.
MAUD. [In a panic backs away from him and resists his attempts, until grinning in an aside to the audience, he gives over. She, in an aside to audience.] Fancy his wanting to see my birth mark.
FITZSIMMONS. [Bullying.] Then take a go at the bag. [She shakes her head.] You’re not Harry Jones.
MAUD. [Approaching punching bag.] I am, too.