And Ishmael felt the warm dazzle of the light and thought of the moor and how in another half-hour or so the shadows would be long beside the pool and the trout beginning to rise at their supper, and of how he would like to be a holy hermit and live alone there with a dog and a gun and a rod and God; while Killigrew was divided between trying to signal a question to Hilaria and wishing he could paint the dim room with its splashes of sun and wondering what colours he could get that would be pure enough; and Hilaria was wishing Ishmael would give her a chance to whisper to him the news she was burning to impart and not merely stare at her and everything else with that blank gaze that always seemed to go through her to the wall beyond. And most of the boys itched to get out for an hour or so before supper, while the little girls thoroughly enjoyed themselves and Mr. Eliot wished the whole lot of them, or himself, elsewhere. At last the wheezy piano sounded its last note, the faded lady who once a week thumped it for an hour and the sum of two-and-sixpence gathered her shawl about her and tied the ribbons of her bonnet beneath her pointed chin: the little girls were also enshawled by prim figures who now materialised from the shadowy seats where they had waited for this moment; and the boys, with a hurried touching of caps to Mr. Eliot, went clattering out through the flagged and panelled passage into the High Street. Hilaria, by the door, caught Ishmael’s sleeve as he rose from changing his shoes—he was always the last when a fussy quickness was in question—and, ignoring the hovering Killigrew, said in her low husky voice:
“Tell them I can be on the moor in half an hour, will you? I must go and take off this beastly thing first ...” She kicked a protesting leg against the framework of her crinoline, that shot out in front of her alarmingly.
“Tell who?” asked Ishmael, densely.