[Footnote 528:  Puritans.  Strict Protestants who became so powerful in England that in the time of the Commonwealth they controlled the political and religious affairs of the country.]

[Footnote 529:  Anglican Church.  The Established Church of England; the Episcopal church.]

[Footnote 530:  Punch.  The chief character in a puppet show, hence the puppet show itself.]

[Footnote 531:  Kyd, Marlowe, Greene, etc.  For an account of these dramatists consult a text book on English literature.  The English drama seems to have begun in the Middle Ages with what were called Miracle plays, which were scenes from Bible history; about the same time were performed the Mystery plays, which dramatized the lives of saints.  These were followed by the Moralities, plays in which were personified abstract virtues and vices.  The first step in the creation of the regular drama was taken by Heywood, who composed some farcical plays called Interludes.  The people of the sixteenth century were fond of pageants, shows in which classical personages were introduced, and Masques, which gradually developed from pageants into dramas accompanied with music.  About the middle of the sixteenth century, rose the English drama,—­comedy, tragedy, and historical plays.  The chief among the group of dramatists who attained fame before Shakespeare began to write were Kyd, Marlowe, Greene, and Peele.  Ben Jonson and Beaumont and Fletcher rank next to Shakespeare among his contemporaries, and among the other dramatists of the period were Chapman, Dekker, Webster, Heywood, Middleton, Ford, and Massinger.]

[Footnote 532:  At the time when, etc.  Probably about 1585.]

[Footnote 533:  Tale of Troy.  Drama founded on the Trojan war.  The subject of famous poems by Latin and Greek poets.]

[Footnote 534:  Death of Julius Caesar.  An account of the plots which ended in the assassination of the great Roman general.]

[Footnote 535:  Plutarch.  See note on Heroism(264).  Shakespeare, like the earlier dramatists, drew freely on Plutarch’s Lives for material.]

[Footnote 536:  Brut.  A poetical version of the legendary history of Britain, by Layamon.  Its hero is Brutus, a mythical King of Britain.]

[Footnote 537:  Arthur.  A British King of the sixth century, around whose life and deeds so many legends have grown up that some historians say he, too, was a myth.  He is the center of the great cycle of romances told in prose in Mallory’s Morte d’Arthur and in poetry in Tennyson’s Idylls of the King.]

[Footnote 538:  The royal Henries.  Among the dramas popular in Shakespeare’s day which he retouched or rewrote are the historical plays.  Henry IV., First and Second Parts; Henry V; Henry VI., First, Second, and Third Parts; and Henry VIII.]

[Footnote 539:  Italian tales.  Italian literature was very popular in Shakespeare’s day, and authors drew freely from it for material, especially from the Decameron, a famous collection of a hundred tales, by Boccaccio, a poet of the fourteenth century.]