Following the steps of the Khan from grave to gay, in his desultory course through the endless varieties of “Life in London,” we are at once transported from the dismal cells of Newgate to the fancy-dress ball at Guildhall for the aid of the refugee Poles. This seems to have been the first scene of the kind at which Kerim Khan had been present since his arrival in England; and though he was somewhat scandalized at perceiving that some of those in male attire were evidently ladies, he describes with considerable effect “the infinite variety of costumes, all very different from those of England, as if each country had contributed its peculiar garb,” the brilliant lighting and costly decoration of the rooms, and the picturesque grouping of the vast assemblage. But his first impressions on English dancing are perfectly unique in their way, and we can only do justice to them by quoting them at length. “It is so entirely unlike any thing we ever heard of in Hindustan, that I cannot refrain from giving a slight sketch of what I saw. In the first place, the company could not have been fewer than 1500 or 2000, of the highest classes of society, the ministers, the nobles, and the wealthy, with their wives and daughters. Several hundreds stood up, every gentleman with a lady; and they advanced and retired several times, holding each other by the hand, to the sound of the music: at last the circle they had formed broke up, some running off to the right, and some to the left—then a gentleman, leaving his lady, would strike out obliquely across the room, sometimes making direct for another