Punch, or the London Charivari, Vol. 158, March 3rd, 1920 eBook

This eBook from the Gutenberg Project consists of approximately 47 pages of information about Punch, or the London Charivari, Vol. 158, March 3rd, 1920.

Punch, or the London Charivari, Vol. 158, March 3rd, 1920 eBook

This eBook from the Gutenberg Project consists of approximately 47 pages of information about Punch, or the London Charivari, Vol. 158, March 3rd, 1920.

  To take, without one thought of evil plotting,
    Even without one last protesting kick,
  Thus kindly to somnambulistic trotting—­
    Oh, James, old pal, it was a dirty trick;
  To show the yarns I’d told of you and written
    (In letters home) were not entirely swank
  At very least, I think, you might have bitten
        The policeman at the Bank.

* * * * *

BOAT RACE “INTELLIGENCE.”

“The Oxford University crew arrived at Henley yesterday for a week’s practice.  The Cambridge president, Mr. E.A.  Berrisford, accompanied the crew as spare man.”—­Provincial Paper.

* * * * *

    “The Government, said Mr. Bonar Law, had not received any intimation
    from the Netherlands Government that Holland had decided to keep the
    ex-Kaiser in Curacoa.”—­Evening Standard.

Good news for Mr. PUSSYFOOT.

* * * * *

    “ESSEX and SUSSEX BORDERS.—­To be Let, well-built Mansion, surrounded
    by fine gardens, situate in one of the finest parts of this delightful
    country.”—­Daily Paper.

But it must be rather a nuisance to cross the Thames every time you want to go from the Essex to the Sussex wing.

* * * * *

[Illustration:  MANNERS AND MODES.

TYPICAL COSTUME FOR AN EARNEST WORKER IN THE CAUSE OF CHARITY.]

* * * * *

[Illustration:  BEHIND THE SCENES IN CINEMA-LAND.

THE RAGE EXHIBITED BY AN AUTHOR WHILE HAVING ONE OF HIS NOVELS FILMED IS UTILISED BY THE INTELLIGENT MANAGER OF THE FILM COMPANY FOR A NEW “THREE-REEL COMIC,” ENTITLED “HOW AUTHORS WORK.”]

* * * * *

SUZANNE’S BANKING ACCOUNT.

“These want paying,” said Suzanne as she bounced into my nominally sacred den at a strictly prohibited hour.  Therewith she thrust a dossier of tradesmen’s bills into my feebly-resisting hands, and bang went an idea I had been tenderly nursing since breakfast.

“But I can’t spend the rest of the morning writing cheques,” I protested.  “I’m engaged just now on a most important article.”

“With your eyes shut,” commented Suzanne, stooping to a grossly unfair insinuation.  “I must tell Cook to make the breakfast coffee stronger in future; then you might manage to—­”

“Look here, Suzanne, you’ve been married to me long enough to know my methods of work.  I can’t begin an article until I’ve got the whole thing shaped in my mind, and to do that I must shut out everything else.”

“Especially your wife, I suppose.  Well, I won’t stay.  You’ve got all the bills there; but don’t start writing the cheques till you’ve got them well shaped in your mind.”

“But what on earth does all this mass of accounting literature represent?” I asked.

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Project Gutenberg
Punch, or the London Charivari, Vol. 158, March 3rd, 1920 from Project Gutenberg. Public domain.