Mosgiel was thus pointed out to me by a young man, on the top of the coach on my way from Glasgow to Kilmarnock.  It is remarkable, that though Burns lived some time here, and during much the most productive period of his poetical life, he nowhere adverts to the splendid prospects stretching towards the sea, and bounded by the peaks of Arran on one part, which in clear weather he must have had daily before his eyes.  Yet this is easily explained.  In one of his poetical effusions he speaks of describing ‘fair Nature’s face,’ as a privilege on which he sets a high value; nevertheless, natural appearances rarely take a lead in his poetry.  It is as a human being, eminently sensitive and intelligent, and not as a poet clad in his priestly robes and carrying the ensigns of sacerdotal office, that he interests and affects us.

Whether he speaks of rivers, hills, and woods, it is not so much on account of the properties with which they are absolutely endowed, as relatively to local patriotic remembrances and associations, or as they are ministerial to personal feelings, especially those of love, whether happy or otherwise; yet it is not always so.  Soon after we had passed Mosgiel Farm we crossed the Ayr, murmuring and winding through a narrow woody hollow.  His line,

    ‘Auld hermit Ayr staw thro’ his woods,’ [=stole]

came at once to my mind, with Irwin, Lugar, Ayr, and Doon, Ayrshire streams over which he breathes a sigh, as being unnamed in song; and, surely, his own attempts to make them known were as successful as his heart could desire.

408. *_Written on a Blank Leaf of Macpherson’s ‘Ossian_.’ [XXVII]

This poem should, for variety’s sake, take its place among the itinerary Sonnets on one of the Scotch Tours.

409. Cave of Staffa. [XXIX.]

The reader may be tempted to exclaim, ’How came this and the two following Sonnets to be written, after the dissatisfaction expressed in the preceding one?’ In fact, at the risk of incurring the reasonable displeasure of the master of the steamboat, I returned to the cave, and explored it under circumstances more favourable to those imaginative impressions which it is so wonderfully fitted to make upon the mind.

410. Ox-eyed Daisy.

    ’Hope smiled when your nativity was cast,
    Children of summer!’ (XXXI. ll. 1-2.)

Upon the head of the columns which form the front of the cave, rests a body of decomposed basaltic matter, which was richly decorated with that large bright flower, the ox-eyed daisy.  I had noticed the same flower growing with profusion among the bold rocks on the western coast of the Isle of Man; making a brilliant contrast with their black and gloomy surfaces.

411. Iona. [XXXIII.]

The four last lines of this Sonnet are adapted from a well-known Sonnet of Russel, as conveying my feeling better than any words of my own could do.