To such honours a modern edifice can lay no claim; and the puny efforts of elegance appear contemptible, when, in such situations, they are obtruded in rivalship with the sublimities of Nature. But, towards the verge of a district like this of which we are treating, where the mountains subside into hills of moderate elevation, or in an undulating or flat country, a gentleman’s mansion may, with propriety, become a principal feature in the landscape; and, itself being a work of art, works and traces of artificial ornament may, without censure, be extended around it, as they will be referred to the common centre, the house; the right of which to impress within certain limits a character of obvious ornament will not be denied, where no commanding forms of Nature dispute it, or set it aside. Now, to a want of the perception of this difference, and to the causes before assigned, may chiefly be attributed the disfigurement which the Country of the Lakes has undergone, from persons who may have built, demolished, and planted, with full confidence, that every change and addition was or would become an improvement.
The principle that ought to determine the position, apparent size, and architecture of a house, viz. that it should be so constructed, and (if large) so much of it hidden, as to admit of its being gently incorporated into the scenery of Nature—should also determine its colour. Sir Joshua Reynolds used to say, ’If you would fix upon the best colour for your house, turn up a stone, or pluck up a handful of grass by the roots, and see what is the colour of the soil where the house is to stand, and let that be your choice.’ Of course, this precept given in conversation, could not have been meant to be taken literally. For example, in Low Furness, where the soil, from its strong impregnation with iron, is universally of a deep red, if this rule were strictly followed, the house also must be of a glaring red; in other places it must be of a sullen black; which would only be adding annoyance to annoyance. The rule, however, as a general guide, is good; and, in agricultural districts, where large tracts of soil are laid bare by the plough, particularly if (the face of the country being undulating) they are held up to view, this rule, though not to be implicitly adhered to, should never be lost sight of;—the colour of the house ought, if possible, to have a cast or shade of the colour of the soil. The principle is, that the house must harmonise with the surrounding landscape: accordingly, in mountainous countries, with still more confidence may it be said, ’look at the rocks and those parts of the mountains where the soil is visible, and they will furnish a safe direction.’ Nevertheless, it will often happen that the rocks may bear so large a proportion to the rest of the landscape, and may be of such a tone of colour, that the rule may not admit, even here, of being implicitly followed. For instance, the chief defect in the colouring of the Country of the