in the Mahabharata and there only in two passages[346]
which appear to be late additions. The inference
seems to be that it was accepted as part of Hinduism
just about the time that our edition of the Mahabharata
was compiled.[347] The old theory that it was borrowed
from aboriginal and especially from Dravidian tribes[348]
is now discredited. In the first place the instances
cited of phallic worship among aboriginal tribes are
not particularly numerous or striking. Secondly,
linga worship, though prevalent in the south, is not
confined to it, but flourishes in all parts of India,
even in Assam and Nepal. Thirdly, it is not connected
with low castes, with orgies, with obscene or bloodthirsty
rites or with anything which can be called un-Aryan.
It forms part of the private devotions of the strictest
Brahmans, and despite the significance of the emblem,
the worship offered to it is perfectly decorous.[349]
The evidence thus suggests that this cultus grew up
among Brahmanical Hindus in the early centuries of
our era. The idea that there was something divine
in virility and generation already existed. The
choice of the symbol—the stone pillar—may
have been influenced by two circumstances. Firstly,
the Buddhist veneration of stupas, especially miniature
stupas, must have made familiar the idea that a cone
or column is a religious emblem,[350] and secondly
the linga may be compared to the carved pillars or
stone standards erected in honour of Vishnu.
Some lingas are carved and bear one or four faces,
thus entirely losing any phallic appearance. The
wide extension of this cult, though its origin seems
late, is remarkable. Something similar may be
seen in the worship of Ganesa: the first records
of it are even later, but it is now universal in India.
It may seem strange that a religion whose outward
ceremonies though unassuming and modest consist chiefly
of the worship of the linga, should draw its adherents
largely from the educated classes and be under no
moral or social stigma. Yet as an idea, as a philosophy,
Sivaism possesses truth and force. It gives the
best picture which humanity has drawn of the Lord
of this world, not indeed of the ideal to which the
saint aspires, nor of the fancies with which hope and
emotion people the spheres behind the veil, but of
the force which rules the Universe as it is, which
reproduces and destroys, and in performing one of
these acts necessarily performs the other, seeing
that both are but aspects of change. For all animal
and human existence[351] is the product of sexual
desire: it is but the temporary and transitory
form of a force having neither beginning nor end but
continually manifesting itself in individuals who must
have a beginning and an end. This force, to which
European taste bids us refer with such reticence,
is the true creator of the world. Not only is
it unceasingly performing the central miracle of producing
new lives but it accompanies it by unnumbered accessory
miracles, which provide the new born child with nourishment