“Ah, Phoebus,” said Ceres, with bitter meaning in her words, “you have a harp instead of a heart.  Farewell.”

“Will not you stay a moment,” asked Phoebus, “and hear me turn the pretty and touching story of Proserpina into extemporary verses?”

But Ceres shook her head, and hastened away, along with Hecate.  Phoebus (who, as I have told you, was an exquisite poet) forthwith began to make an ode about the poor mother’s grief; and, if we were to judge of his sensibility by this beautiful production, he must have been endowed with a very tender heart.  But when a poet gets into the habit of using his heartstrings to make chords for his lyre, he may thrum upon them as much as he will, without any great pain to himself.  Accordingly, though Phoebus sang a very sad song, he was as merry all the while as were the sunbeams amid which he dwelt.

Poor Mother Ceres had now found out what had become of her daughter, but was not a whit happier than before.  Her case, on the contrary, looked more desperate than ever.  As long as Proserpina was above ground there might have been hopes of regaining her.  But now, that the poor child was shut up within the iron gates of the king of the mines, at the threshold of which lay the three-headed Cerberus, there seemed no possibility of her ever making her escape.  The dismal Hecate, who loved to take the darkest view of things, told Ceres that she had better come with her to the cavern, and spend the rest of her life in being miserable.  Ceres answered that Hecate was welcome to go back thither herself, but that, for her part, she would wander about the earth in quest of the entrance to King Pluto’s dominions.  And Hecate took her at her word, and hurried back to her beloved cave, frightening a great many little children with a glimpse of her dog’s face as she went.

Poor Mother Ceres!  It is melancholy to think of her, pursuing her toilsome way all alone, and holding up that never-dying torch, the flame of which seemed an emblem of the grief and hope that burned together in her heart.  So much did she suffer that, though her aspect had been quite youthful when her troubles began, she grew to look like an elderly person in a very brief time.  She cared not how she was dressed, nor had she ever thought of flinging away the wreath of withered poppies which she put on the very morning of Proserpina’s disappearance.  She roamed about in so wild a way, and with her hair so dishevelled, that people took her for some distracted creature, and never dreamed that this was Mother Ceres, who had the oversight of every seed which the husband-man planted.  Nowadays, however, she gave herself no trouble about seed time nor harvest, but left the farmers to take care of their own affairs, and the crops to fade or flourish, as the case might be.  There was nothing, now, in which Ceres seemed to feel an interest, unless when she saw children at play, or gathering flowers along the wayside.  Then, indeed, she would stand and gaze at them with tears in her eyes.  The children, too, appeared to have a sympathy with her grief, and would cluster themselves in a little group about her knees, and look up wistfully in her face; and Ceres, after giving them a kiss all round, would lead them to their homes, and advise their mothers never to let them stray out of sight.