11;
Bernardo’s treatment of his son, ib.;
Tasso’s precocity as a child, 12;
his early teachers, ib.;
pious ecstasy in his ninth year, 13;
with his father in Rome, 14;
his first extant letter, 15;
his education, 16;
with his father at the Court of Urbino, 17;
mode of life here, 18;
acquires familiarity with Virgil, 19;
studies and annotates the Divina Commedia, ib.;
metaphysical studies and religious doubts, 20;
reaction, ib.;
the appearance of the Rinaldo, 21;
leaves Padua for Bologna, ib.;
Dialogues on the Art of Poetry, 22, 24, 26;
flight to Modena, 22;
speculations upon Poetry, 23;
Tasso’s theory of the Epic, 24;
he joins the Academy ‘Gli Eterei’ at Padua, as ‘Il Pentito,’ 26;
enters the service of Luigi d’Este, 27;
life at the Court of Ferrara, 28;
Tasso’s love-affairs, 31;
the problem of his relations with Leonora and Lucrezia
d’Este, 32 sqq., 48, 51;
quarrel with Pigna, 34;
his want of tact, ib.;
edits his Floridante, 35;
visit to Paris, ib.;
the Gottifredo (Gerusalemme Liberata), 35, 38, 42, 48, 50;
his instructions to Rondinelli, ib.;
life at the Court of Charles IX., 36;
rupture with Luigi d’Este, 38;
enters the service of Alfonso, Duke of Ferrara, ib.;
renewed relations with Leonora, ib.;
production and success of Aminta, 39;
relations with Lucrezia d’Este (Duchess of Urbino), ib.;
his letters to Leonora, 41;
his triumphant career, ib.;
submits the Gerusalemme to seven censors, 43;
their criticisms, ib.;
literary annoyances, 44;
discontent with Ferrara, 45;
Tasso’s sense of his importance, ib.;
the beginning of his ruin, 46;
he courts the Medici, 47;
action of his enemies at Ferrara, 48;
doubts as to his sanity, 49;
his dread of the Inquisition, ib.;
persecution by the courtiers, 50;
revelation of his love affairs by Maddalo de’Frecci, 51;
Tasso’s fear of being poisoned, ib.;
outbreak of mental malady, 52;
temporary imprisonment, ib.;
estimate of the hypothesis that Tasso feigned madness, 53;
his escape from the Convent of S. Francis, 54;
with his sister at Sorrento, 55;
hankering after Ferrara, 56;
his attachment to the House of Este, 57;
terms on which he is received back, 58;
second flight from Ferrara, 61;
at Venice, Urbino, Turin, 63;
‘Omero Fuggiguerra,’ 64;
recall to Ferrara, 65;
imprisoned at S. Anna, 66;
reasons for his arrest, 67;
nature of his malady, 69;
life in the hospital, 71;
release and wanderings, 73;
the Torrismondo, ib.;
Bernardo’s treatment of his son, ib.;
Tasso’s precocity as a child, 12;
his early teachers, ib.;
pious ecstasy in his ninth year, 13;
with his father in Rome, 14;
his first extant letter, 15;
his education, 16;
with his father at the Court of Urbino, 17;
mode of life here, 18;
acquires familiarity with Virgil, 19;
studies and annotates the Divina Commedia, ib.;
metaphysical studies and religious doubts, 20;
reaction, ib.;
the appearance of the Rinaldo, 21;
leaves Padua for Bologna, ib.;
Dialogues on the Art of Poetry, 22, 24, 26;
flight to Modena, 22;
speculations upon Poetry, 23;
Tasso’s theory of the Epic, 24;
he joins the Academy ‘Gli Eterei’ at Padua, as ‘Il Pentito,’ 26;
enters the service of Luigi d’Este, 27;
life at the Court of Ferrara, 28;
Tasso’s love-affairs, 31;
the problem of his relations with Leonora and Lucrezia
d’Este, 32 sqq., 48, 51;
quarrel with Pigna, 34;
his want of tact, ib.;
edits his Floridante, 35;
visit to Paris, ib.;
the Gottifredo (Gerusalemme Liberata), 35, 38, 42, 48, 50;
his instructions to Rondinelli, ib.;
life at the Court of Charles IX., 36;
rupture with Luigi d’Este, 38;
enters the service of Alfonso, Duke of Ferrara, ib.;
renewed relations with Leonora, ib.;
production and success of Aminta, 39;
relations with Lucrezia d’Este (Duchess of Urbino), ib.;
his letters to Leonora, 41;
his triumphant career, ib.;
submits the Gerusalemme to seven censors, 43;
their criticisms, ib.;
literary annoyances, 44;
discontent with Ferrara, 45;
Tasso’s sense of his importance, ib.;
the beginning of his ruin, 46;
he courts the Medici, 47;
action of his enemies at Ferrara, 48;
doubts as to his sanity, 49;
his dread of the Inquisition, ib.;
persecution by the courtiers, 50;
revelation of his love affairs by Maddalo de’Frecci, 51;
Tasso’s fear of being poisoned, ib.;
outbreak of mental malady, 52;
temporary imprisonment, ib.;
estimate of the hypothesis that Tasso feigned madness, 53;
his escape from the Convent of S. Francis, 54;
with his sister at Sorrento, 55;
hankering after Ferrara, 56;
his attachment to the House of Este, 57;
terms on which he is received back, 58;
second flight from Ferrara, 61;
at Venice, Urbino, Turin, 63;
‘Omero Fuggiguerra,’ 64;
recall to Ferrara, 65;
imprisoned at S. Anna, 66;
reasons for his arrest, 67;
nature of his malady, 69;
life in the hospital, 71;
release and wanderings, 73;
the Torrismondo, ib.;