copies, 302;
  Tassoni the inventor of heroico-comic poetry, 303;
  humor and sarcasm in Italian municipal wars, 304;
  the episode of the Bolognese bucket, ib.;
  irony of the Secchia Rapita, 306;
  method of Tassoni’s art, ib.;
  ridicule of contemporary poets, 307;
  satire and parody, 308;
  French imitators of Tasso, 310;
  episodes of pure poetry, 311;
  sustained antithesis between poetry and melodiously-worded slang, 312;
  Tassoni’s rank as a literary artist, ib.

TAXATION, the methods of, adopted by Spanish Viceroys in Italy, i. 49.

TENEBROSI, the (school of painters), ii. 365.

TESTI, Fulvio, Modenese poet, ii. 314.

TEUTONIC tribes, relations of with the Italians, ii. 393;
  unreconciled antagonisms, 394;
  divergence, 395;
  the Church, the battle-field of Renaissance and Reformation, 395.

THEATINES, foundation of the Order of, i. 79.

THEORY, Italian love of, in Tasso’s time, ii. 25;
  critique of Tasso’s theory of poetry, 26, 42.

THIENE, Gaetano di, founder of the Theatines, i. 76.

THIRTY Divine Attributes, Bruno’s doctrine of, ii. 139.

TINTORETTO’S picture of S. Agnes, ii. 361.

TITIAN, portrait of Charles V. by, i. 42.

TOLEDO, Don Pietro di, Viceroy of Naples, i. 38; ii. 7.

—–­Francesco da, confessor of Gregory XIII., i. 150.

TORQUEMADA, the Spanish Inquisitor, i. 173, 179, 181.

TORRE, Delia, the family of, ancestors, of the Tassi, ii. 5.

‘TORRISMONDO,’ Tasso’s tragedy of, ii. 73, 113 sq.

TORTURE, cases of witnesses put to, i. 333 sqq.

TOUCH, the sense of, Marino’s praises of, ii. 270.

TOULOUSE, power of the Inquisition in, ii. 137.

TRAGIC narratives circulated in manuscript in the
  sixteenth and seventeenth centuries, i. 372.

‘TREATISE on the Inquisition,’ Sarpi’s, ii. 220.

—–­’on the Interdict,’ Sarpi’s, ii. 201.

TREMAZZI, Ambrogio: 
  his own report of how he wrought the murder of Troilo
  Orsini, i. 405 sqq.;
  his notions about his due reward, 406.

TRENT, Council of: 
  Indiction of, by Paul III., i. 97;
  numbers of its members, 97 n., 119 n.;
  diverse objects of the Spanish, French, and German
  representatives, 98, 122;
  the articles which it confirmed, 98;
  method of procedure, 99, 120;
  the Council transferred to Bologna, 100;
  Paul IV.’s measures of ecclesiastical reform, 107;
  the Council’s decrees actually settled in the four Courts, 112, 119;
  its organization by Pius IV., 118 sqq.;
  inauspicious commencement, 119;
  the privileges of the Papal legates, 120;
  daily post of couriers to the Vatican, 121;
  arts of the Roman Curia, 122;
  Spanish, French, Imperial Opposition,