“Come,” said Trina to the dentist, “let’s go down and look—­take a last look.”

They went out of Miss Baker’s room and descended to the floor below.  On the stairs, however, they were met by Old Grannis.  In his hands he carried a little package.  Was it possible that he too had taken advantage of their misfortunes to join in the raid upon the suite?

“I went in,” he began, timidly, “for—­for a few moments.  This”—­he indicated the little package he carried—­“this was put up.  It was of no value but to you.  I—­I ventured to bid it in.  I thought perhaps”—­his hand went to his chin, “that you wouldn’t mind; that—­in fact, I bought it for you—­as a present.  Will you take it?” He handed the package to Trina and hurried on.  Trina tore off the wrappings.

It was the framed photograph of McTeague and his wife in their wedding finery, the one that had been taken immediately after the marriage.  It represented Trina sitting very erect in a rep armchair, holding her wedding bouquet straight before her, McTeague standing at her side, his left foot forward, one hand upon her shoulder, and the other thrust into the breast of his “Prince Albert” coat, in the attitude of a statue of a Secretary of State.

“Oh, it was good of him, it was good of him,” cried Trina, her eyes filling again.  “I had forgotten to put it away.  Of course it was not for sale.”

They went on down the stairs, and arriving at the door of the sitting-room, opened it and looked in.  It was late in the afternoon, and there was just light enough for the dentist and his wife to see the results of that day of sale.  Nothing was left, not even the carpet.  It was a pillage, a devastation, the barrenness of a field after the passage of a swarm of locusts.  The room had been picked and stripped till only the bare walls and floor remained.  Here where they had been married, where the wedding supper had taken place, where Trina had bade farewell to her father and mother, here where she had spent those first few hard months of her married life, where afterward she had grown to be happy and contented, where she had passed the long hours of the afternoon at her work of whittling, and where she and her husband had spent so many evenings looking out of the window before the lamp was lit—­here in what had been her home, nothing was left but echoes and the emptiness of complete desolation.  Only one thing remained.  On the wall between the windows, in its oval glass frame, preserved by some unknown and fearful process, a melancholy relic of a vanished happiness, unsold, neglected, and forgotten, a thing that nobody wanted, hung Trina’s wedding bouquet.

CHAPTER 15