Malahide, Lord Talbot de, 346.

Malebranche, 441.

Malkin, Arthur, 84.

Malkin, Benjamin, 84.

Malkin, Charles, 84.

Malkin, Dr. and Mrs., 82, 110.

Malkin, Frederick, 84.

Malkins, the, 183.

“Malvolio, thou art sick of conceit,” 435.

Manchester, the Kembles in “The Gamester,” 204, 277;
  railway between and Liverpool, 278, 284, 291, 303.

Maple, Durham, the vicar of, 229.

Marc Antonio, cast of his skull mistaken for Raphael’s, 528.

Marcet, Mrs., 332, 341.

Mariana, Fanny Kemble as, 377.

Mario (M. de Candee), intimate friend of Henry Greville, 497.

Marriage, sombre thoughts about, 436.

Marriage, talk about, 423.

Mars, Mlle., 90, 258, 420;
  in the heroine of “Henri Trois,” 484, 564, 565.

“Marseillaise,” Mme. Rachel’s rendering of, 436.

Martineau’s, Harriet, “Each and All,” 570;
  Channing’s opinion of her writings, 578.

Mary Copp, Mrs. Bradshaw in, 396.

“Mary Stuart,” 267, 284;
  reasons for not playing, 370, 549.

Maurice, Frederick, 183.

Mason, “Self-Knowledge,” 169; in Romeo, 200;
  son of Charles Kemble’s sister, 259;
  first appearance as Romeo, 421;
  discussion about Kean, 429;
  speech to the Bristol audience about helping Brunton in his
    troubles, 433;
  the King in “Francis I.,” 508, 510.

Mason, Miss, 263.

Massinger, “Maid of Honor,” 255, 257;
  “Fatal Dowry,” 318;
  “Maid of Honor” proposed for Fanny Kemble’s “benefit,” 358;
  plays compared with some others, 389.

Master Walter, character in “The Hunchback,” 377.

Mathews, Charles, 39, 170.

“Mathilde,” 332.

Matterhorn, 85.

Matuscenitz, 299.

Mayow, Mrs., 322.

Maxwell, 157;
  anecdote of one of that family, 261.

Mayo, Mrs., a brave woman, 471.

Mazzochetti, 26.

McLaren, Duncan, 158.

Meadows, Mr. Drinkwater, 505.

“Medea,” 400.

Megrin, St., 420.

Melbourne, Lord (William Lamb), 45, 46, 47, 347, 357.

“Merchant of Venice,” 248.

Mellon, Miss (see St. Albans, Duchess of).

Mendelssohn, 96, 507.

“Merchant of Venice,” 119, 351.

Mercutio, 483;
  Charles Kemble in, after his sickness, 480

Mersey, the, its ancient wanderings, 282.

Meteoric lights, 145.

Meyerbeer’s “Robert the Devil,” 507.

Mill, John S., 122;
  John Kemble’s admiration for, 180.

Millais’ picture of Trelawney as the “Old Sea Captain,” 582.

Milnes, Richard M., 183.

Milman, Mrs., 184.

Milman’s “Fazio,” 323, 331;
  his pleasure at Fanny Kemble’s rendering of Bianca in “Fazio,”
    334, 341, 390;
  to review “Francis I.” in Quarterly Review, simultaneously with its
    appearance on the stage, 502.