320, 327;
  lawsuits about theatre patents, 339;
  Pickersgill care not to copy, 365;
  Duke of Wellington’s bitter pill to, 393;
  a dangerous companion, 402;
  opinion of a Madonna, 242;
  picture of Fanny Kemble, the best, 525;
  his opinion on theatrical matters, 577.

Lea, girls’ school at, 251.

Leach, Sir John, 88.

Leamington, 106, 180.

Lee, the Misses, adaptation of the “Canterbury Tales” to “Father and
Son,” 308.

Lennox, Lord William, 98.

Leopold, Prince, at Bridgewater House, 422.

Le Sage’s novels, 422.

Le Texier, 2, 30.

Levassor, ludicrous account of “Robert the Devil,” 507.

Leveson, Lord Francis, his new piece, 478;
  translation of “Henri Trois,” 481;
  entertainment at Bridgewater House, 365.

Lindley, Miss, 173.

Liston, 7, 20, 21;
  reciting Collins’ “Ode to the Passions,” 460;
  compared to Reeve, 508.

Liston, the surgeon, beginning of Fanny Kemble’s acquaintance with, 524;
  death, ib.

Liverpool, 277;
  railway between and Manchester, 278.

Llangollen, 345.

Loch Long, 267.

Locomotives, the first, 280.

Lockhart, reviews “Francis I.” instead of Millman, 512.

Lomond, Loch, 266.

London, cholera in, 502
  farewell to, 522.

Londonderry, Lord, 398.

Lope de Vega, sketch of the life and works of, 319.

Loudham, his hopes of fixing the Chancery suit of Charles Kemble, 463.

Louis Philippe, 276.

Louis XI., his ugly secretary Alin Chartier, 462.

Louis, at Covent Garden Theatre, 521.

Lucifer, Byron’s fancy for the character of, 331.

Lyndhurst, Lord, 88.

Lyttleton, Lord ("The Wicked"), 33.

Macaulay, Lord, letter to Mr. Ellis, 344;
  enthusiasm over John Kemble’s book on history of the Anglo-Saxons, 505.

“Macbeth” contrast with the “Tempest”, 292.

Macdonald, Sir John, 171, 244, 486, 502.

Macdonald (sculptor), desiring to make a statue of Fanny Kemble, 236, 462;
  his collection of sculpture, 343.

Macdonald, Lady, “Sir John’s General,” 344, 481.

Macdonald, James, 489.

Macdonald, Lawrence, 152.

Macdonald, Julia, 244.

Mackay, 442, 488.

Macready, at the English theatre in Paris, 115;
  his opinion of Fanny Kemble, 189;
  Shakespearean revivals, 191;
  his fine acting in “Werner,” 308;
  success in “The Fatal Dowry,” 318;
  in “Rienzi,” 354;
  in “Virginius,” 376;
  prophecy come true, 390.

Madrid, John Kemble a prisoner at, 336.

Maida, Scott’s hound, 263.

“Maid of Honor, The,” success of, 364, 367, 385, 391.

Malibran, Mme., letters to her husband, 203;
  overcome by Charles Kemble’s acting, 204;
  debut and death in England, 205;
  her professional popularity, 205;
  Alfred de Musset’s lament for, 205, 206;
  her envy of Sontag, in “Romeo and Juliet,” 201.