an old-fashioned wedding, 72;
home from school, 74;
cottage at Weybridge, 75;
passion for fishing, 78;
taken with smallpox, 82;
harness for gracefulness, 85;
a robbery, 89;
trip to Hertfordshire, 90;
first meeting with H—— S——, 91;
“Der Freyschuetz,” 94;
presentation to Mendelssohn, 96;
spoken of to the Queen, 96;
return to Heath Farm, 101;
Trenton Falls, 102;
love for books, 103;
our house at Bayswater, 106;
letters from Bayswater, 107;
offered L200 for first play, 114;
the play of “Francis I.” finished, 16;
thoughts of a comedy, 118;
sees “Merchant of Venice” for first time, 119;
visits West India Docks and Thames Tunnel, 120;
MSS. in the fire, 122;
thoughts of going on the stage, 123;
read “Diary of an Ennuyee” for first time, 124;
Longing for Italy, 124;
acquaintance with Mr. and Mrs. Montagu, 129;
picture by “Dick,” “There’s plenty of it, Fan,” 131;
ill of measles, 131;
desire to say something from myself, 131;
ghosts, 132;
convalescence, 132;
considering a means of livelihood, 135;
about marrying, 136;
going on the stage, 137;
projected works, 138;
first ball, 140;
admiration for Mrs. Henry Siddons, 143;
love for Edinburgh, 145;
a touching incident, 147;
a Scotch Venus, 149;
raspberry tarts, 152;
sitting to Lawrence Macdonald for bust, 152;
“Grecian Daughters,” 152;
an old-fashioned house, 156;
a partisan of Charles Edward, 156;
an unlucky speech, 156;
great esteem for Dr. Combe, 155;
intimacy with Harry Siddons, 157;
incident of Scottish regalia, 157;
at Mr. Combe’s house, 158;
listens to Chambers Brothers’ story of poverty, 161;
a jolly face for a tragic actress, 162;
Mons Meg and Madame Catalani, 162;
observance of Sunday, 163;
a natural turn for religion, 164;
give up Byron’s poetry, 165;
a new tragedy, “Fiesco,” 168;
return to London, 168;
religious zeal, 170;
singing with Moore, 173;
begins a visit to England in 1841, 175;
meeting Sir Samuel Cunard, 176;
through London in 1845, on way to Italy, 176;
renewal of intercourse with Mrs. Norton, 177;
talks about the Hindoo Theatre, 178;
plans for helping my father, 179;
goes to Scotland, 180;
destroying H.’s letters, 181;
German abandoned, 181;
a few words about Shakespeare, 182;
admiration for young Tennyson’s poems, 184;
the theatre to be sold, 186;
life rather sad, 186;
“brought out” as Juliet, 188;
a badly dressed Juliet, 189;
preparations for first appearance, 189;
my opinion of Portia, 187
preparing for a debut, 191;
a constant admirer, 197;
awkward incident with Mr. Abbot, 199;
home from school, 74;
cottage at Weybridge, 75;
passion for fishing, 78;
taken with smallpox, 82;
harness for gracefulness, 85;
a robbery, 89;
trip to Hertfordshire, 90;
first meeting with H—— S——, 91;
“Der Freyschuetz,” 94;
presentation to Mendelssohn, 96;
spoken of to the Queen, 96;
return to Heath Farm, 101;
Trenton Falls, 102;
love for books, 103;
our house at Bayswater, 106;
letters from Bayswater, 107;
offered L200 for first play, 114;
the play of “Francis I.” finished, 16;
thoughts of a comedy, 118;
sees “Merchant of Venice” for first time, 119;
visits West India Docks and Thames Tunnel, 120;
MSS. in the fire, 122;
thoughts of going on the stage, 123;
read “Diary of an Ennuyee” for first time, 124;
Longing for Italy, 124;
acquaintance with Mr. and Mrs. Montagu, 129;
picture by “Dick,” “There’s plenty of it, Fan,” 131;
ill of measles, 131;
desire to say something from myself, 131;
ghosts, 132;
convalescence, 132;
considering a means of livelihood, 135;
about marrying, 136;
going on the stage, 137;
projected works, 138;
first ball, 140;
admiration for Mrs. Henry Siddons, 143;
love for Edinburgh, 145;
a touching incident, 147;
a Scotch Venus, 149;
raspberry tarts, 152;
sitting to Lawrence Macdonald for bust, 152;
“Grecian Daughters,” 152;
an old-fashioned house, 156;
a partisan of Charles Edward, 156;
an unlucky speech, 156;
great esteem for Dr. Combe, 155;
intimacy with Harry Siddons, 157;
incident of Scottish regalia, 157;
at Mr. Combe’s house, 158;
listens to Chambers Brothers’ story of poverty, 161;
a jolly face for a tragic actress, 162;
Mons Meg and Madame Catalani, 162;
observance of Sunday, 163;
a natural turn for religion, 164;
give up Byron’s poetry, 165;
a new tragedy, “Fiesco,” 168;
return to London, 168;
religious zeal, 170;
singing with Moore, 173;
begins a visit to England in 1841, 175;
meeting Sir Samuel Cunard, 176;
through London in 1845, on way to Italy, 176;
renewal of intercourse with Mrs. Norton, 177;
talks about the Hindoo Theatre, 178;
plans for helping my father, 179;
goes to Scotland, 180;
destroying H.’s letters, 181;
German abandoned, 181;
a few words about Shakespeare, 182;
admiration for young Tennyson’s poems, 184;
the theatre to be sold, 186;
life rather sad, 186;
“brought out” as Juliet, 188;
a badly dressed Juliet, 189;
preparations for first appearance, 189;
my opinion of Portia, 187
preparing for a debut, 191;
a constant admirer, 197;
awkward incident with Mr. Abbot, 199;