temporizing, and expediency than we do. “Managing”
is supposed to be a feminine tendency; it has
no place in my composition; perhaps I might be
the better for a little of it—but only perhaps,
and only a little.... This letter, as you
will perceive by its date, was begun on the banks
of the Delaware; here we are, however, once more
in New York. It is Monday evening, the 5th of
November, and you are firing squibs and burning
manikins en action de graces that the
Houses of Parliament were not blown up by the Roman
Catholics, instead of living to be reformed by
the Whigs, and (peradventure) blowing up the
nation.
The Presidential Election
is going on here, and creates immense
excitement. General
Jackson, they say, will certainly be
re-elected.
Our last fortnight in Philadelphia has been one of incessant and very hard work, rehearsing every morning and acting every night. I rejoiced heartily when our engagement drew to a close, for I was fairly worn out, and money bought with health is bought too dear, I think.... I have taken some very pleasant rides during our stay in Philadelphia; the horses are none of them properly broken for riding, which makes it a pleasure of no small fatigue to ride them for three or four hours. Luckily, I do not object to severe exercise, and the weather and the country were both charming....
I am glad you have been re-reading the “Tempest.” ... What exquisite pleasure that fine creation has given me! I like it better than any of the other plays; it is less “of the earth, earthy” than any of the others; for though the “Midsummer Night’s Dream” is in some sort, as it were, its companion, the mortal element in the latter poem is far less noble and lovely than in the “Tempest.” Prospero and Miranda, the dwellers on the enchanted island, are statelier and fairer than any of the human wanderers in the mazes of the Athenian wood. There is a deep and indescribable melancholy to me in the “Tempest” that mingles throughout with its beauty, and lends a special charm to it. I so often contemplate in fancy that island, lost in the unknown seas, just in the hour of its renewed solitude, after the departure of its “human mortal” dwellers and visitors, when Prospero and his companions had bade farewell to it, when Caliban was grunting and grubbing and groveling in his favorite cave again, when Ariel was hovering like a humming-bird over the flower draperies of the woods, where the footprints of men were still stamped on the wet sand of the shining shore, but their voices silent and their forms vanished, and utter solitude, and a strange dream of the past, filling the haunts where human life, its sin and sorrow, and joy and hope, and love and hate, had breathed and palpitated, and were now forever gone. The notion of that desert once, but now deserted, paradise, whose flowers had looked up at Miranda, whose skies had shed wisdom on Prospero, always seems to me full of melancholy.