A ludicrous circumstance enough, I remember, occurred, which produced no little uproar and amusement in one of its dreariest chambers. My brother John was at this time eagerly pursuing the study of chemistry for his own amusement, and had had an out-of-the-way sort of spare bedroom abandoned to him for his various ill savored materials and scientific processes, from which my mother suffered a chronic terror of sudden death by blowing up. There was a monkey in the house, belonging to our landlord, and generally kept confined in his part of it, whence the knowledge of his existence only reached us through anecdotes brought by the servants. One day, however, an alarm was spread that the monkey had escaped from his own legitimate quarters and was running wild over the house. Chase was given, and every hole and corner searched in vain for the mischievous ape, who was at length discovered in what my brother dignified by the title of his laboratory, where, in a frenzy of gleeful activity, he was examining first one bottle and then another; finally he betook himself, with indescribably grotesque grinnings and chatterings, to uncorking and sniffing at them, and then pouring their contents deliberately out on the (luckily carpetless) floor,—a joke which might have had serious results for himself, as well as the house, if he had not in the midst of it suffered ignoble capture and been led away to his own quarters; my mother that time, certainly, escaping imminent “blowing up.”
While we were living in Gerard Street, my uncle Kemble came for a short time to London from Lausanne, where he had fixed his residence—compelled to live abroad, under penalty of seeing the private fortune he had realized by a long life of hard professional labor swept into the ruin which had fallen upon Covent Garden Theatre, of which he was part proprietor. And I always associate this my only recollection of his venerable white hair and beautiful face, full of an expression of most benign dignity, with the earliest mention I remember of that luckless property, which weighed like an incubus upon my father all his life, and the ruinous burden of which both I and my sister successively endeavored in vain to prop.
My mother at this time gave lessons in acting to a few young women who were preparing themselves for the stage; and I recollect very well the admiration my uncle expressed for the beauty of one of them, an extremely handsome Miss Dance, who, I think, came out successfully, but soon married, and relinquished her profession.
This young lady was the daughter of a violinist and musical composer, whose name has a place in my memory from seeing it on a pretty musical setting for the voice of some remarkably beautiful verses, the author of which I have never been able to discover. I heard they had been taken out of that old-fashioned receptacle for stray poetical gems, the poet’s corner of a country newspaper. I write them here as accurately as I can from memory; it is more than fifty years since I learnt them, and I have never met with any copy of them but that contained in the old music sheet of Mr. Dance’s duet.