“I am ready and willing to do so;” but it is nevertheless not altogether easy for me to do it.  My life in London leaves me neither time nor opportunity for any self-culture, and it seems to me as if my best faculties were lying fallow, while a comparatively unimportant talent, and my physical powers, were being taxed to the uttermost.  The profession I have embraced is supposed to stimulate powerfully the imagination.  I do not find it so; it appeals to mine in a slight degree compared with other pursuits; it is too definite in its object and too confined in its scope to excite my imagination strongly; and, moreover, it carries with it the antidote of its own excitement in the necessary conditions under which it is exercised.  Were it possible to act with one’s mind alone, the case might be different; but the body is so indispensable, unluckily, to the execution of one’s most poetical conceptions on the stage, that the imaginative powers are under very severe though imperceptible restraint.  Acting seems to me rather like dancing hornpipes in fetters.  And, by no means the least difficult part of the business is to preserve one’s own feelings warm, and one’s imagination excited, while one is aiming entirely at producing effects upon others; surrounded, moreover, as one is, by objects which, while they heighten the illusion to the distant spectator, all but destroy it to us of the dramatis personae.  None of this, however, lessens the value and importance of your advice, or my own conviction that “mental bracing” is good for me.  My reception on Monday was quite overpowering, and I was escorted back to the hotel, after the play, by a body-guard of about two hundred men, shouting and hurrahing like mad; strange to say, they were people of perfectly respectable appearance.  My father was not with us, and they opened the carriage door and let down the steps, when we got home, and helped us out, clapping, and showering the most fervent expressions of good-will upon me and aunt Dall, whom they took for my mother.  One young man exclaimed pathetically, “Oh, I hope ye’re not too much fatigued, Miss Kemble, by your exertions!” They formed a line on each side of me, and several of them dropped on their knees to look under my bonnet, as I ran laughing, with my head down, from the carriage to the house.  I was greatly confused and a little frightened, as well as amused and gratified, by their cordial demonstration.

The humors of a Dublin audience, much as I had heard of them before going to Ireland, surprised and diverted me very much.  The second night of our acting there, as we were leaving the theater by the private entrance, we found the carriage surrounded by a crowd eagerly waiting for our coming out.  As soon as my father appeared, there was a shout of “Three cheers for Misther Char-les!” then came Dall, and “Three cheers for Misthriss Char-les!” then I, and “Three cheers for Miss Fanny!” “Bedad, she looks well by gas-light!”