I know he must have sinned and suffered, mortal man since he was, but I do not wish to know how. From his plays, in spite of the necessarily impersonal character of dramatic composition, we gather a vivid and distinct impression of serene sweetness, wisdom, and power. In the fragment of personal history which he gives us in his sonnets, the reverse is the case; we have a painful impression of mournful struggling with adverse circumstances and moral evil elements, and of the labor and the love of his life alike bestowed on objects deemed by himself unworthy; and in spite of his triumphant promise of immortality to the false mistress or friend, or both, to whom (as far as he has revealed them to us) he has kept his promise, we fall to pitying Shakespeare, the bestower of immortality. In the great temple raised by his genius to his own undying glory, one narrow door opens into a secret, silent crypt, where his image, blurred and indistinct, is hardly discernible through the gloomy atmosphere, heavy and dim as if with sighs and tears. Here is no clew, no issue, and we return to the shrine filled with light and life and warmth and melody; with knowledge and love of man, and worship of God and nature. There is our benefactor and friend, simplest and most lovable, though most wonderful of his kind; other image of him than that bright one may the world never know!
The extraordinary development of the taste for petty details of personal gossip which our present literature bears witness to makes it almost a duty to destroy all letters not written for publication; and yet there is no denying that life is essentially interesting—every life, any life, all lives, if their detailed history could be given with truth and simplicity. For my own part, I confess that the family correspondence, even of people utterly unknown to me, always seems to me full of interest. The vivid interest the writers took in themselves makes their letters better worth reading than many books we read; they are life, as compared with imitations of it—life, that mystery and beauty surpassing every other; they are morsels of that profoundest of all secrets, which baffles alike the man of science, the metaphysician, artist, and poet. And yet it would be hard if A, B, and C’s letters should therefore be published, especially as, had they contemplated my reading them, they would doubtless never have written them, or written them quite other than they did.
To resume my chronicle. My brother John was at this time traveling in Germany; the close of his career at Cambridge had proved a bitter disappointment to my father, and had certainly not fulfilled the expectations of any of his friends or the promise of his own very considerable abilities. He left the university without taking his degree, and went to Heidelberg, where he laid the foundation of his subsequent thorough knowledge of German, and developed the taste for the especial philological studies to which he eventually