the boldness maintained to majesty, the significancy
and sound of words, not strained into bombast, but
justly elevated; in short, those very words and thoughts,
which cannot be changed, but for the worse, must of
necessity escape our transient view upon the theatre;
and yet, without all these, a play may take.
For, if either the story move us, or the actor help
the lameness of it with his performance, or now and
then a glittering beam of wit or passion strike through
the obscurity of the poem, any of these are sufficient
to effect a present liking, but not to fix a lasting
admiration; for nothing but truth can long continue;
and time is the surest judge of truth. I am not
vain enough to think that I have left no faults in
this, which that touchstone will not discover; neither,
indeed, is it possible to avoid them in a play of this
nature. There are evidently two actions in it;
but it will be clear to any judicious man, that with
half the pains I could have raised a play from either
of them; for this time I satisfied my humour, which
was to tack two plays together; and to break a rule
for the pleasure of variety. The truth is, the
audience are grown weary of continued melancholy scenes;
and I dare venture to prophecy, that few tragedies,
except those in verse, shall succeed in this age, if
they are not lightened with a course of mirth; for
the feast is too dull and solemn without the fiddles.
But how difficult a task this is, will soon be tried;
for a several genius is required to either way; and,
without both of them, a man, in my opinion, is but
half a poet for the stage. Neither is it so trivial
an undertaking, to make a tragedy end happily; for
it is more difficult to save, than it is to kill.
The dagger and the cup of poison are always in a readiness;
but to bring the action to the last extremity, and
then by probable means to recover all, will require
the art and judgement of a writer; and cost him many
a pang in the performance.
And now, my lord, I must confess, that what I have
written, looks more like a Preface, than a Dedication;
and, truly, it was thus far my design, that I might
entertain you with somewhat in my own art, which might
be more worthy of a noble mind, than the stale exploded
trick of fulsome panegyrics. It is difficult
to write justly on any thing, but almost impossible
in praise. I shall therefore wave so nice a subject;
and only tell you, that, in recommending a protestant
play to a protestant patron, as I do myself an honour,
so I do your noble family a right, who have been always
eminent in the support and favour of our religion
and liberties. And if the promises of your youth,
your education at home, and your experience abroad,
deceive me not, the principles you have embraced are
such, as will no way degenerate from your ancestors,
but refresh their memory in the minds of all true
Englishmen, and renew their lustre in your person;
which, my lord, is not more the wish, than it is the
constant expectation, of