Observations and Reflections Made in the Course of a Journey through France, Italy, and Germany, Vol. I eBook

This eBook from the Gutenberg Project consists of approximately 302 pages of information about Observations and Reflections Made in the Course of a Journey through France, Italy, and Germany, Vol. I.

Observations and Reflections Made in the Course of a Journey through France, Italy, and Germany, Vol. I eBook

This eBook from the Gutenberg Project consists of approximately 302 pages of information about Observations and Reflections Made in the Course of a Journey through France, Italy, and Germany, Vol. I.

The boasted Raphael here does not in my eyes triumph over the wonders of this Caracci school.  At Rome, I am told, his superiority is more visible. Nous verrons[Footnote:  We shall see.].

The reserved picture of St. Peter and St. Paul, kept in the last chamber of the Zampieri palace, and covered with a silk curtain, is valued beyond any specimen of the painting art which can be moved from Italy to England.  We are taught to hope it will soon come among us; and many say the sale cannot be now long delayed.  Why Guido should never draw another picture like that, or at all in the same style, who can tell? it certainly does unite every perfection, and every possible excellence, except choice of subject, which cannot be happy I think, when the subject itself is left disputable.

I will mention only one other picture:  it is in an obscure church, not an unfrequented one by these pious Bolognese, who are the most devout people I ever lived amongst, but I think not much visited by travellers.  It is painted by Albano, and represents the Redeemer of mankind as a boy scarce thirteen years old:  ingenuous modesty, and meek resignation, beaming from each intelligent feature of a face divinely beautiful, and throwing out luminous rays round his sacred head, while the blessed Virgin and St. Joseph, placed on each side him, adore his goodness with transport not unmixed with wonder:  the instruments of his future passion cast at his feet, directing us to consider him as in that awful moment voluntarily devoting himself for the sins of the whole world.

This picture, from the sublimity of the subject, the lively colouring, and clear expression, has few equals; the pyramidal group drops in as of itself, unsought for, from the raised ground on which our Saviour stands; and among numberless wild conceits and extravagant fancies of painters, not only permitted but encouraged in this country, to deviate into what we justly think profane representations of the deity:—­this is the most pleasing and inoffensive device I have seen.

The august Creator too is likewise more wisely concealed by Albano than by other artists, who daringly presume to exhibit that of which no mortal man can give or receive a just idea.  But we will have done for a while with connoisseurship.

This fat Bologna has a tristful look, from the numberless priests, friars, and women all dressed in black, who fill the streets, and stop on a sudden to pray, when I see nothing done to call forth immediate addresses to Heaven.  Extremes do certainly meet however, and my Lord Peter in this place is so like his fanatical brother Jack, that I know not what is come to him.  To-morrow is the day of corpus domini; why it should be preceded by such dismal ceremonies I know not; there is nothing melancholy in the idea, but we shall be sure of a magnificent procession.

So it was too, and wonderfully well attended:  noblemen and ladies, with tapers in their hands, and their trains borne by well-dressed pages, had a fine effect.  All still in black.

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Observations and Reflections Made in the Course of a Journey through France, Italy, and Germany, Vol. I from Project Gutenberg. Public domain.