Observations and Reflections Made in the Course of a Journey through France, Italy, and Germany, Vol. I eBook

This eBook from the Gutenberg Project consists of approximately 302 pages of information about Observations and Reflections Made in the Course of a Journey through France, Italy, and Germany, Vol. I.

Observations and Reflections Made in the Course of a Journey through France, Italy, and Germany, Vol. I eBook

This eBook from the Gutenberg Project consists of approximately 302 pages of information about Observations and Reflections Made in the Course of a Journey through France, Italy, and Germany, Vol. I.

Well, here we are at Padua again! where I will run, and see once more the places I was before so pleased with.  The beautiful church of Santa Giustina, the ancient church adorned by Cimabue, Giotto, &c. where you fancy yourself on a sudden transported to Dante’s Paradiso, and with for Barry the painter, to point your admiration of its sublime and extraordinary merits; but not the shrine of St. Anthony, or the tomb of Antenor, one rich with gold, the other venerable with rust, can keep my attention fixed on them, while an Italian May offers to every sense, the sweets of nature in elegant perfection.  One view of a smiling landschape, lively in verdure, enamelled with flowers, and exhilarating with the sound of music under every tree,

    Where many a youth and many a maid
    Dances in the chequer’d shade;
    And young and old come forth to play,
    On a sun-shine holiday;

drives Palladio and Sansovino from one’s head; and leaves nothing very strongly impressed upon one’s heart but the recollection of kindness received and esteem reciprocated.  Those pleasures have indeed pursued me hither; the amiable Countess Ferris has not forgotten us; her attentions are numerous, tender, and polite.  I went to the play with her, where I was unlucky enough to miss the representation of Romeo and Juliet, which was acted the night before with great applause, under the name of Tragedia Veronese.  Monsieur de Voltaire was then premature in his declarations, that Shakespear was unknown, or known only to be censured, except in his native country.  Count Kinigl at Milan took occasion to tell me that they acted Hamlet and Lear when he was last at Vienna; and I know not how it is, but to an English traveller each place presents ideas originally suggested by Shakespear, of whom nature and truth are the perpetual mirrors:  other authors remind one of things which one has seen in life—­but the scenes of life itself remind one of Shakespear.  When I first looked on the Rialto, with what immediate images did it supply me?  Oh, the old long-cherished images of the pensive merchant, the generous friend, the gay companion, and their final triumph over the practices of a cruel Jew.  Anthonio, Gratiano, met me at every turn; and when I confessed some of these feelings before the professor of natural history here, who had spent some time in London; he observed, that no native of our island could sit three hours, and not speak of Shakespear:  he added many kind expressions of partial liking to our nation, and our poets:  and l’Abate Cesarotti good-humouredly confessed his little skill in the English language when he translated their so much-admired Ossian; but he had studied it pretty hard since, he said, and his version of Gray’s Elegy is charming.

Gray and Young are the favourite writers among us, as far as I have yet heard them talked over upon the continent; the first has secured them by his residence at Florence, and his Latin verses I believe; the second, by his piety and brilliant thoughts.  Even Romanists are disposed to think dear Dr. Young very near to Christianity—­an idea which must either make one laugh or cry, while

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Observations and Reflections Made in the Course of a Journey through France, Italy, and Germany, Vol. I from Project Gutenberg. Public domain.