THE BANK ACCOUNT:  A small but poignant tragedy of the savings-account which a clerk has counted upon to free him after many years of drudgery, and which he has entrusted to his stupid and vulgar and cheaply frivolous wife.

In Harvard Dramatic Club Plays, First Series, Brentano’s.

+Alice Brown+

JOINT OWNERS IN SPAIN:  The two most refractory inmates of an Old Ladies’ Home have to face and solve the problem of living in the same room.

Walter H. Baker.

+Witter Bynner+

THE LITTLE KING:  A delineation of the cruel suffering and the dauntless courage of the small Louis XVII; he refuses to be cowed by the bullying of his keeper or to let a poor boy assume his fate.

Kennerley.

+George Calderon+ idealized him meanwhile that her realization of the altered situation brings an astounding reaction.

Sidgwick and Jackson.

+Margaret Cameron+

THE TEETH OF THE GIFT HORSE:  A pleasant farce built about two huge and hideous hand-painted vases and a charming little old lady who perpetrated them.

French.

+Gilbert Cannan+

EVERYBODY’S HUSBAND:  Three generations of ladies discuss the individual characteristics of their husbands, but find them, after all, indistinguishable men.

Seeker, London.

JAMES AND JOHN:  They are faced with their invalid mother’s request that they crown many years of tedious sacrifice and atonement for their father’s weak crime by taking him into their lives again.

In Four Plays, Sidgwick and Jackson.

MARY’S WEDDING:  Bill’s mother tries in vain to dissuade Mary from the certain and inescapable misery of marrying her drunkard son.  Bill himself settles the problem.

Ibid.

A SHORT WAY WITH AUTHORS:  An entertaining farce showing how a great actor-manager goes about encouraging serious dramatic composition.

Ibid.

+Harold Chapin+

AUGUSTUS IN SEARCH OF A FATHER:  He returns from abroad and discusses with a night-watchman the problem of his search for his father.

THE LITTLE STONE HOUSE:  A mother has denied herself everything to build a small mausoleum to her dead son, and so Gowans and Gray.

THE AUTOCRAT OF THE COFFEE STALLS:  A strange character with an astonishing history is shown us in the night-light from a refreshment wagon in London streets.

Gowans and Gray.

THE DUMB AND THE BLIND:  A study of a bargeman’s family in London tenements.  Mr. William Archer calls this “a veritable masterpiece in its way—­a thing Dickens would have delighted in....  We feel that the dumb has spoken and the blind has seen.”

Gowans and Gray; forthcoming, French, New York.

IT’S THE POOR THAT ’ELPS THE POOR:  Of the simple kindliness of
London costermongers and their neighborly help and sympathy.