none other verse that went before, and maketh but a loose rime, and yet bycause of the double cadence in the last two verses serue the eare well inough.  And as there is in euery staffe, band, giuen to the verses by concord more or lesse busie:  so is there in some cases a band giuen to euery staffe, and that is by one whole verse running alone throughout the ditty or ballade, either in the middle or end of euery staffe.  The Greekes called such vncoupled verse Epimonie, the Latines Versus intercallaris.  Now touching the situation of measures, there are as manie or more proportions of them which I referre to the makers phantasie and choise, contented with two or three ocular examples and no moe.

-------                        ----------    ----------    ------
---------                      ----------    ----------    --------------
-------------    ----------    ----          ----------    --------------
-------------    --------      ----          ----------    --------------
---------        ------        ----------    ----          ------
-------          ------        ----------    ------        --------------
---------        --------      ----          ------        --------------
-----------      ----------    ----          ------        --------------
-------------                  ----------    ----          ------

Which maner or proportion by situation of measures giueth more efficacie to the matter oftentimes then the concords them selues, and both proportions concurring together as they needes must, it is of much more beautie and force to the hearers mind.

To finish the learning of this diuision, I will set you downe one example of a dittie written extempore with this deuice, shewing not onley much promptnesse of wit in the maker, but also great arte and a notable memorie.  Make me saith this writer to one of the comnpanie, so many strokes or lines with your pen as ye would haue your song containe verses:  and let euery line bearue his seuerall length, euen as ye would haue your verse of measure.  Suppose of foure, fiue, sixe, or eight or more sillables, and set a figure of euerie number at th’end of the line, whereby ye may knowe his measure.  Then where you will haue your rime or concord to fall, marke it with a compast stroke or semicircle passing ouer those lines, be they farre or neare in distance, as ye haue seene before described.  And bycause ye shall not thinke the maker hath premeditated beforehand any such fashioned ditty, do ye your selfe make one verse whether it be of perfect or imperfect sense, and giue it him for a theame to make all the rest upon:  if ye shall perceiue the maker do keepe the measures and rime as ye haue appointed him, and besides do make his dittie sensible and ensuant to the first verse in good reason, then may ye say he is his crafts maister.  For if he were not of a plentiful discourse, he could not vpon the sudden shape an entire dittie vpon your imperfect theame or proposition in one verse.  And if he were not copious in his language, he could not haue such store of wordes at commaundement, as should supply your concords.  And if he were not of a maruelous good memory he could not obserue the rime and measures after the distances of your limitation, keeping with all grauitie and good sense in the whole dittie.