Sixe points set downe by our learned forefathers for a generall
  rule or regiment of all good vtterance, be it by mouth or by
  writing. 129

How the Greekes first and afterwardes the Latines inuented
  new names for euery figure, which this Author is also enforced
  to do in his vulgar arte. 130

A diuision of figures and how they serue in exornation of language. 131

Of Auricular figures apperteyning to single words and working by
  their diuers sounds and audible tunes, alteration to the eare
  onely and not to the minde. 134

Of Auricular figures perteyning to clawses of speech, and by
  them working no little alteration to the eare. 135

Of Auricular figures working by disorder. 140

Of Auricular figures working by surplusage. 141

Of Auricular figures working by exchange. 142

Of Auricular figures that serue to make the meetre tuneable and
  melodious, but not by defect nor surplusage, disorder nor exchange. 145

  The names of your figures Auricular.

Eclipsis, or the figure of default. 136
Zeugma, or the single supply. 136
Prozeugma, or the ringleader. 137
Mezozeugma, or the middlemarcher. 137
Hypozeugma, or the rerewarder. 137
Sillepsis, or the double supply. 137
Hypozeuxis, or the substitute. 138
Aposiopesis, or the figure of silence, otherwise
   called the figure of interruption. 139
Prolepsis, or the propounder. 139
Hiperbaton, or the trespasser. 140
Parenthesis, or the insertour. 140
Histeron proteron, or the preposterous. 141
Enallage, or figure of exchange. 142
Hipallage, or the changeling. 143
Omoioteleton, or the figure of likeloose. 144
Patimion, or figure of like letter. 145
Asindeton, or figure of lose language. 145
Polisindeton, or the coople clause. 146
Irmus, or the long lose. 146
Epitheton, or the qualifier. 147
Endiades, or the figure of twinnes. 147