of the Chairman, to indulge at that editor’s
expense in sundry personalities both “loose
and humorous,” which being totally unfit for
publication here are reserved for a private issue
of “Loose and Humorous Papers” to be edited,
with a running marginal commentary or illustrative
and explanatory version of the utmost possible fullness,
{279} by the Founder and another member of the Society.
To these it might possibly be undesirable for them
to attract the notice of the outside world. Reverting
therefore to his first subject from various references
to the presumed private character, habits, gait, appearance,
and bearing of the gentleman in question, Mr. D. observed
that the ascription of a share in the
Taming of
the Shrew to William Haughton (hitherto supposed
the author of a comedy called
Englishmen for my
Money) implied a doubly discreditable blunder.
The real fact, as he would immediately prove, was
not that Haughton was joint author with Shakespeare
of the
Taming of the Shrew, but that Shakespeare
was joint author with Haughton of
Englishmen for
my Money. He would not enlarge on the obvious
fact that Shakespeare, so notorious a plunderer of
others, had actually been reduced to steal from his
own poor store an image transplanted from the last
scene of the third act of
Romeo and Juliet into
the last scene of the third act of
Englishmen for
my Money; where the well-known and pitiful phrase—“Night’s
candles are burnt out”—reappears in
all its paltry vulgarity as follows;—“Night’s
candles burn obscure.” Ample as was the
proof here supplied, he would prefer to rely exclusively
upon such further evidence as might be said to lie
at once on the surface and in a nutshell.
The second title of this play, by which the first
title was in a few years totally superseded, ran thus:
A Woman will have her Will. Now even
in an age of punning titles such as that of a well-known
and delightful treatise by Sir John Harrington, the
peculiar fondness of Shakespeare for puns was notorious;
but especially for puns on names, as in the proverbial
case of Sir Thomas Lucy; and above all for puns on
his own Christian name, as in his 135th, 136th, and
143rd sonnets. It must now be but too evident
to the meanest intelligence—to the meanest
intelligence, he repeated; for to such only did he
or would he then and there or ever or anywhere address
himself—(loud applause) that the graceless
author, more utterly lost to all sense of shame than
any Don Juan or other typical libertine of fiction,
had come forward to placard by way of self-advertisement
on his own stage, and before the very eyes of a Maiden
Queen, the scandalous confidence in his own powers
of fascination and seduction so cynically expressed
in the too easily intelligible vaunt—A
Woman will have her Will [Shakespeare]. In the
penultimate line of the hundred and forty-third sonnet
the very phrase might be said to occur:
So will I pray that thou mayst have
thy Will.