Thus elevated in the character of its habitues, the salon Thuillier still needed a new element of life. Thanks to the help of Madame de Godollo, a born organizer, who successfully put to profit the former connection of Colleville with the musical world, a few artists came to make diversion from bouillotte and boston. Old-fashioned and venerable, those two games were forced to beat a retreat before whist, the only manner, said the Hungarian countess, in which respectable people can kill time.
Like Louis XVI., who began by putting his own hand to reforms which subsequently engulfed his throne, Brigitte had encouraged, at first, this domestic revolution; the need of sustaining her position suitably in the new quarter to which she had emigrated had made her docile to all suggestions of comfort and elegance. But the day on which occurred the scene we are about to witness, an apparently trivial detail had revealed to her the danger of the declivity on which she stood. The greater number of the new guests, recently imported by Thuillier, knew nothing of his sister’s supremacy in his home. On arrival, therefore, they all asked Thuillier to present them to Madame, and, naturally, Thuillier could not say to them that his wife was a figure-head who groaned under the iron hand of a Richelieu, to whom the whole household bent the knee. It was therefore not until the first homage rendered to the sovereign “de jure” was paid, that the new-comers were led up to Brigitte, and by reason of the stiffness which displeasure at this misplacement of power gave to her greeting they were scarcely encouraged to pay her any further attentions. Quick to perceive this species of overthrow, Queen Elizabeth said to herself, with that profound instinct of domination which was her ruling passion:—
“If I don’t take care I shall soon be nobody in this house.”
Burrowing into that idea, she came to think that if the project of making a common household with la Peyrade, then Celeste’s husband, were carried out, the situation which was beginning to alarm her would become even worse. From that moment, and by sudden intuition, Felix Phellion, that good young man, with his head too full of mathematics ever to become a formidable rival to her sovereignty, seemed to her a far better match than the enterprising lawyer, and she was the first, on seeing the Phellion father and mother arrive without the son, to express regret at his absence. Brigitte, however, was not the only one to feel the injury that the luckless professor was doing to his prospects in thus keeping away from her reception. Madame Thuillier, with simple candor, and Celeste with feigned reserve, both made manifest their displeasure. As for Madame de Godollo, who, in spite of a very remarkable voice, usually required much pressing before she would sing (the piano having been opened since her reign began), she now went up to Madame Phellion and asked her to accompany her, and between two verses of a song she said in her ear:—