But “matters of state (it seems) are canvassed on the stage, and things of the gravest concernment there managed;” and who were the aggressors, I beseech you, but a few factious, popular hirelings, that by tampering the theatres, and by poisoning the people, made a play-house more seditious than a conventicle; so that the loyal party crave only the same freedom of defending the government, which the other took beforehand of exposing and defaming it. There was no complaint of any disorders of the stage, in the bustle that was made (even to the forming of a party) to uphold a farce of theirs.[5] Upon the first day, the whole faction (in a manner) appeared; but after one sight of it, they sent their proxies of serving-men and porters, to clap in the right of their patrons; and it was impossible ever to have gotten off the nonsense of three hours for half-a-crown, but for the providence of so congruous an audience. Thus far, I presume, the reckoning is even, for bad plays on both sides, and for plays written for a party. I shall say nothing of their poets’ affection to the government; unless upon an absolute and an odious necessity. But to return to the pretended Parallel.
I have said enough already to convince any man of common sense, that there neither was, nor could be, any Parallel intended; and it will farther appear, from the nature of the subject; there being no relation betwixt Henry the Third and the Duke of Guise, except that of the king’s marrying into the family of Lorraine. If a comparison had been designed, how easy had it been either to have found a story,