Watch—Work—Wait eBook

This eBook from the Gutenberg Project consists of approximately 133 pages of information about Watch—Work—Wait.

Watch—Work—Wait eBook

This eBook from the Gutenberg Project consists of approximately 133 pages of information about Watch—Work—Wait.
The roof was clear gone, but that was little in comparison to the damage done inside.  Besides this, the old man had met with many losses; his son was away nobody knew where, and the baker lost heart, so that he could not get up spirit enough to set things to rights; and when he did he could not sell his bread as he used to, for other bakers had set up, and people always like to run to new places.  Will Raymond, it seems, is a painter; and when he came here last summer, and found the old man in such trouble, he set to and painted him such a sign that there ain’t the like of it far nor near.  Why, the people stand in front of the house to admire it; and folks sometimes say that signs are of no use, but I know the sign brought the customers back.  About two weeks ago the young painter returned, for old Nicholas expects his son George, who went west four or five years ago, and he and Bill Raymond were great friends, and he came on purpose to meet him.  George knew nothing of his father’s troubles, and old Nicholas said he could not do him any good, and it was of no use to make him unhappy.  But won’t he be happy when he comes home and finds all right?”

The sun-burned youth had listened attentively, not interrupting the speaker by word or motion; but tears, in spite of his efforts to restrain them, forced themselves from his eyes.  Not daring to trust his voice, he shook hands with his kind informant, and leaving the place of graves, once more took the path leading toward the open gate at the foot of the hill.  He had nearly reached it when, turning from the dusty street road, a young man entered the enclosure, and advanced up the narrow path until he came quite close to the traveller.  They knew each other at once.

“William!”—­“George!” issued at one moment from the lips of each; and with an embrace of sincere affection, the friendship of their boyish days was renewed, and now, in their budding manhood, to be more closely cemented.

William was indeed an artist.  Mr. Stewart had found him possessed of genuine talent, and it was the delight of his generous heart to aid in the unfolding of his genius by every means within his power.  Through his instruction, as well as recommendation, William had received better prices for his early efforts than are usually paid to young artists; but the first sum of any importance that he could call his own was applied to ornament the graves where his parents lay.

George Herman’s return was a source of great comfort to his father, although he could not assist him in his business.  He had chosen the carpenter’s trade as a means of livelihood, and from at first working diligently with his own hands, he rose at length to the rank of an architect, and became a wealthy man.

One year after this William went to Italy with George Stewart, whose health required change of climate.  There, in that beautiful country, so rich in treasures of art, he had full opportunity for improvement; and, indeed, he used his time to great purpose.  It was, however, some drawback to his happiness that his young friend did not materially benefit by his sojourn in that land of genial sunshine.  He rallied at first; but at the end of two years they were obliged to return, and George only reached his native land to breathe his last.

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Watch—Work—Wait from Project Gutenberg. Public domain.