Essays on the Stage eBook

This eBook from the Gutenberg Project consists of approximately 78 pages of information about Essays on the Stage.

Essays on the Stage eBook

This eBook from the Gutenberg Project consists of approximately 78 pages of information about Essays on the Stage.

Here was a pretty Compliment to our Art now, a good Moral with good Manners into the bargain; and yet ’tis certain the times then were as Licentious as now, and the Poets took as little care of their Writings; but Mr Randolph always made his good Nature agree with his Wit, and put as favourable construction upon Scenes of Diversion, as reason would allow, tho he perhaps had as much occasion for 50 l. as the Absolver when he writ his Book.  He knew that if there was so stupid a Temper, that the Moral of a Play could not reform, the looseness that was in it could not prejudice; nor if a wild Town-Fellow, or a baffl’d Bully, or passionate Lover, being characters in a Play, spoke some extravagances proper for ’em, would he roar it out for Blasphemy, Profaneness, &_c._ and make a malicious scrutiny, and unreasonable interpretation of words, which had no other intention but to make the Character natural by customary manner of Speech, as he has shewn examples by two of his own, in the extremes of Vain-glory and Hypocrisie:  And yet this Gentleman was as Learned, as good a Critick, and as Consciencious a man, as our Absolver can pretend to be; and if I say, I had somewhat a better Title to Modesty and good Manners, I think it may be made out, he having a civil regard to the Poets, defended their Cause, and excus’d some failings for the sake of some other Merits, when this treats ’em all like fools, tho he has only rak’d up a few of their errors, which he has made a huge heap of Rubbish, by peering through his own Magnifying Glass, without any allowance to their qualifications, or any modest care to do ’em justice, which ought to have been one way as well as another.

So much then for his Modesty in one of its kinds, which is decency of behaviour and expression; as for the other, he has plaid such a Game at Hide and Seek with us, that we have been long in a Mist, not knowing how to discover it:  But the Air clears, and ’tis time for us now to take the right end of the perspective, tho he would give us the Wrong, and then try if we cannot discern, in the midst of his Garden of Divinity, a neat friend of his call’d Immorality, tho he would subtly insinuate him into the world as a stranger, leading his darling daughter dear Hypocrisie into an Arbor; where, after they had been some time alone, our Critick knowing how to be civil to his own creature, and to give ’em time enough to beget a right understanding, he is very glad at last to be a third in the company.

I should not have put him upon this warm Office, if I had not found him too hot and bold with our Famous Ancient Truth-telling Poet Juvenal, when in his Book he tells us, he teaches those vices he would correct, and writes more like a Pimp than a Poet [Footnote:  Collier, p. 70, 71.]—­But upon just consideration, I believe if the Absolver taught the Art of Rebellion no more than Juvenal the Art of Pimping, the one would be respected in

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Essays on the Stage from Project Gutenberg. Public domain.