[Illustration: The Emperor Nero.]
The new empress, encouraged by this show of favor, applied herself with all the strength of her impassioned nature to the task of again making operative in the state those traditional ideas of the nobility in which Livia had educated first Tiberius and Drusus, then Germanicus, and then Agrippina herself. In this descendant of hers the spirit of the great-grandmother finally reappeared, for it had been eclipsed by the fatal and terrible struggle between Tiberius and Agrippina, by the madness of Caligula, and the comic scandals of the first part of the reign of Claudius. All this served to bring back into the state a little of that authoritative vigor which the nobility in the time of its splendor had considered the highest ideal of government. Tacitus says of her rule that it was as rigid as if a man’s (adductum et quasi virile). This signifies that under the influence of Agrippina the laxity and disorder of the first years of Claudius’s reign gave place to a certain order and discipline. Severity there was, and more often haughtiness (palam severitas ac saepius superbia). The freedmen who had formerly been so powerful and aggressive, now stepped aside, which is an evident sign that their petulance had now found a check in the energy of Agrippina. The state finances and the fortune of the imperial house were reorganized, for Agrippina, like Livia and like all the ladies of the great Roman nobility, was an excellent administrator, frugal, and ever watchful of her slaves and freedmen, and careful of all items of income and expense. The Roman aristocracy, like all other aristocracies, hated the parvenus, the men of sudden riches, traffickers who had too quickly become wealthy, and all persons whose only aim was to amass money. We know that Agrippina sought to prevent as far as possible the malversations of public funds by which the powerful freedmen of Claudius had been enriching themselves. After she became empress we hear accounts of numerous suits instituted against personages who had been guilty of wasting public treasure, while under Messalina no such cases were brought forward. We know, furthermore, that she reestablished the fortune of the imperial family, which in all probability had been seriously compromised by the reckless expenditures of Messalina. This is what Tacitus refers to in one of his sentences, which, as usual, is colored by his malignity: Cupido auri immensa obtentum habebat quasi subsidium regno pararetur (She sought to enrich the family under the pretext of providing for the needs of the empire). What Tacitus calls a “pretext” was, on the contrary, the ancient aristocratic conception of wealth, which in the eyes of the great families was destined to be a means of government and an instrument of power: the family possessed it in order to use it for the benefit of the state.