The joyous tones are the bright tones. Develop them by exercise. Practise your voice exercises in an attitude of joy. Under the influence of pleasure the body expands, the tone passages open, the action of heart and lungs is accelerated, and all the primary conditions for good tone are established.
More songs float out from the broken windows of the negro cabins in the South than from the palatial homes on Fifth Avenue. Henry Ward Beecher said the happiest days of his life were not when he had become an international character, but when he was an unknown minister out in Lawrenceville, Ohio, sweeping his own church, and working as a carpenter to help pay the grocer. Happiness is largely an attitude of mind, of viewing life from the right angle. The optimistic attitude can be cultivated, and it will express itself in voice charm. A telephone company recently placarded this motto in their booths: “The Voice with the Smile Wins.” It does. Try it.
Reading joyous prose, or lyric poetry, will help put smile and joy of soul into your voice. The following selections are excellent for practise.
REMEMBER that when you first practise these classics you are to give sole attention to two things: a joyous attitude of heart and body, and bright tones of voice. After these ends have been attained to your satisfaction, carefully review the principles of public speaking laid down in the preceding chapters and put them into practise as you read these passages again and again. It would be better to commit each selection to memory.
SELECTIONS FOR PRACTISE
FROM MILTON’S “L’ALLEGRO"
Haste thee, Nymph, and bring
with thee
Jest, and youthful Jollity,
Quips and Cranks and wanton
Wiles,
Nods and Becks, and wreathed
Smiles,
Such as hang on Hebe’s
cheek,
And love to live in dimple
sleek,—
Sport that wrinkled Care derides,
And Laughter holding both
his sides.
Come, and trip it as ye go
On the light fantastic toe;
And in thy right hand lead
with thee
The mountain nymph, sweet
Liberty:
And, if I give thee honor
due,
Mirth, admit me of thy crew,
To live with her, and live
with thee,
In unreproved pleasures free;
To hear the lark begin his
flight,
And singing, startle the dull
Night
From his watch-tower in the
skies,
Till the dappled Dawn doth
rise;
Then to come in spite of sorrow,
And at my window bid good-morrow
Through the sweetbrier, or
the vine,
Or the twisted eglantine;
While the cock with lively
din
Scatters the rear of darkness
thin,
And to the stack, or the barn-door,
Stoutly struts his dames before;